Unable to audition used speakers a problem


One component I will not buy unless I can audition the item for sale are speakers. This severely limits available candidates, but that is OK with me. The problem is that whenever I find a local pair I would consider purchasing, the seller is unable to allow an audition because "they're boxed up". What's up with that? Wouldn't it make more sense to leave them connected or ready to be connected for at least a few weeks after they're listed for sale? Why box and seal them up before placing the ad? Does anyone else find this a problem or am I just being overly prudent?
rockadanny

Showing 2 responses by ozzy62

>Prefer to audition because IMO speakers are more difficult to evaluate than other gear when they have not been heard.<

Rockdanny,

I see your point, BUT, the speakers in question (any speakers, really) are not going to sound the same in YOUR room with YOUR equipment as they did at the previous owner's home. You strike me as someone who puts little credence in the importance of front end equipment. Hell, my son has an old pair of Polk Monitor 7s in his bedroom that I can make sound fantastic in my big rig. Do they sound that great in his system? No, only average.

Ok, now let's say you have taken ALL your components to the seller's house. Better, but still no cigar. Room acoustics will also drastically change the sound. So either you end up buying a great pair of speakers that sound like crap in YOUR room, or you pass up a great pair because they sounded like crap in HIS room. That's a no win situation if ever there was one.

I agree with what was mentioned before. Buy the best speaker you can for your $$ on the used market and sell it on the used market if it doesn't cut it for you. Beyond that, only buy from a dealer if he lets you bring them home first, or you feel confident that your environment will be better suited to said speakers. In the end, this type of dilemma is what keeps Agon flourishing.

Oz
>This is one reason why I listen to my system at the same volume control setting for every recording,<

I don't get how you can do this. Every recording has a volume level where it "locks in". For example, you wouldn't want to play simple "girl with guitar" music at the same volume as ZZ Top. How about classical chamber music at the same level as Holst's The Planets?

Wasn't it Ivan Tiefenbrun who said that every recording had one volume, and one volume only, where it sounded realistic, or something to that effect.

Oz