Tweaks - An Honest Discussion


I know there is a lot of talk about performance tweaks in this forum and the value that can be realized.  I've started this thread because it seems that folks tend towards believing they are either the silver bullet to sonic bliss or conversely simply snake oil.  I believe tweaks are somewhere in between and in most cases, worth about what you pay for (crazy  I know).

I'm open minded to tweaks and have employed many in my system over the years including isolation, fuses, footers, HFTs, cabling, cable risers and attempts at reducing RFI (among others).  While I believe that many of these tweaks incrementally helped me get better performance out of my system I never for a second found any tweak make a transformational difference the way that a significantly upgraded piece of gear brings to the table.  I think many of us have been quite happy with our systems over the years but that doesn't mean implementing a tweak can possibly compete with the benefit of replacing a piece of gear that is well matched to elevate your system. Just because you're happy with your setup doesn't mean a major gear change can't really elevate the experience - surely well beyond any form of tweakery.  

As an example, I've been very happy with a Hana ML cart and how it's performed in my system.  I recently decided to acquire a Lyra Kleos cart - for a $2K increase the change has been transformational in terms of dynamic range and ability to convey detail and imaging.  There has never been a dot I've placed on a wall, carbon platform placed under gear, or RFI shielding device I've ever used that could possibly come close to this equipment upgrade.  Same goes for upgrades to my system over the years in terms of amps, pre's, and speakers.  For anyone to suggest that through tweaks alone you can elevate your system to a level that only gear changes can achieve simply falls flat in my experience.  Some may be shocked to hear that most of the time a $200 tweak truly only gets you about $200 worth of improvement (if any) and not the equivalent of a $5000 gear upgrade. I know there is a certain allure that by simply being smart and applying elbow grease that we can extend the sonic limits of our system well beyond it's design, parts, and capabilities but that's just not true IMO.

What's your experience been?   
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Showing 2 responses by reven6e

I would argue that the valid approach is: build your "perfect" system and THEN optimise it by any number of tweaks. The snake oils are not meant to replace a component upgrade but to complement a keeper. If one still contemplates a component upgrade, the tweaks, since most of them are system dependant, are money / time wasted.  

But once everything is in place and the big job is done, I see no harm in trying lifting cables, controlling vibration, trialing different cables and any other number of "tweaks".

I am in such a place. I could afford to go further but I can only have so much in a small room. A decent integrated, a decent DAC, a decent pair of bookshelf speakers. It's not the "ultimate" system but one I am happy to live with and I have no need / desire to upgrade any of the components in the near future.

I am now playing with Stillpoint racks, power cables, network switches and other snake oils not to "upgrade" or "improve" my sound but to OPTIMISE my system, to allow it to perform at its best, unhindered by a number of known issues.

And yes, all of the above make a difference. Good, bad, worthy or not worthy of your money - only one way to find out. Most of these things can be trialled and dealers are more than accommodating, particularly now.

In my book, since this IS my system, anything that makes a positive difference is a keeper and money well spent. And "positive" can be a very subtle thing. People argue about speaker cabinet resonance but the more educated ears can actually hear the rack resonance and, while dealing with that can costs ridiculous amounts of money and the difference is not night and day, I would argue that removing that subtle distortion, wherever it strikes, bass, midrange, treble - depending on shelf material / build, is worth my money, even if it costs as much as my amp.

And that is the point of tweaks. Your system performance is negatively affected by a number of issues - physics, your room, your mains etc. The added benefits of dealing with vibration, bad power, EMI etc can be a cleaner, clearer, undistorted sound, better tonal balance, a lower noise floor, a sound that flows better, more like the real deal and less like a stereo system and which can be enjoyed equally at any volume. Not extra power, not hearing more. Not transforming a NAD into a DD or a Benchmark into a dCS. 

Some of the better (read expensive) components deal with these issues directly because high end manufacturers have the budget for better, heftier cases, better isolation, better power supplies (those amps you can't lift with massive transformers / capacitors etc) so I would say that in fact many of these tweaks benefit cheaper components more. 
I experimented with Stillpoints in the past. I liked them under my DAC but I hated them under a Devialet Premier.

Melco S100. Not going to start an argument. I know ethernet switches are a snake oil, a con, bits are bits and idiots are idiots. But it has an obvious effect on a streamer (and dCS at that). I heard several people complaining that it sounded too "soft", that it had a "sugarcoating" effect on their system, robbing it of some impact, of some drama. I like mine.

Some swear by conditioners, others by regenerators. And then there are plenty who say: best conditioning is a dedicated ring.  

And so on. One man's Nirvana is another man's disappointment and wasted money. I will continue to call all of the above snake oils not to take sides but because, as per my original post, I think most of these products are system dependant. There is no one size fits all and there is no guarantee that they will work FOR YOU.

The main components are generally a certainty. Double the amount you have spent on your DAC and anybody can hear the improvement (hopefully). Upgrade from a slim class AB or D integrated to class A mono blocks and everybody and their dog will notice the difference.  

But an AQ Nirvana? A Melco S100? Tornado vs Hurricane?
Isoacoustic vs Track Audio vs Townshend vs anything else you can think of under your speakers? Unknown quantity. Hic sunt leones. Your very personal adventure.