Turntable on a $5k budget?


I'd like to give vinyl a try. I thought about starting with an inexpensive table but I think I may as well just buy once and be happy for a long time instead of upgrading later. I don't see why it wouldn't work out for me, I am willing to learn the proper setup just need a little guidance towards a good quality table and tonearm. I prefer a smooth, fatigue free sound over hyper resolution and detail.

I've listened to an SME 20/2 table with IV.Vi tonearm and I thought that was perfect for my taste but it is out of my budget. Should I be looking at suspended tables for that type of sound or is that not the deciding factor of how the table will sound overall?

The $5k is not the ceiling, I can extend my budget another $1500 for a tonearm on top of the table if the table is really that good.

I've read some reviews of the suspended tables such as Oracle, Sota and a few of non suspended such as Nottingham, Michell, Basis. Will any of the mentioned tables get me close to what I am looking for?

I am planning on using the phono stage of my McIntosh C500 preamp, it has both MM/MC phono stage. The rest of the system is McIntosh 501 monoblocks and Sonus Faber Guarneri Memento speakers.

Thanks in advance.
flyski

Showing 2 responses by isanchez


Hello Flyski,

For less than 5K you can get a high-mass Acoustic Signature turntable with a Rega RB300 tonearm.

On the suspended designs, JA Michell Gyro SE Turntable would be a good place to start. It can be upgraded to full Orbe.

If you're thinking on sticking with the table for the long run, look into TW-Acoustic Raven One or Acoustic Signature Mambo, both with a Rega RB300 for now and then upgrade to a better tonearm later.

Best,

iSanchez
Everything I've read so far leads me to believe that suspended tables are more forgiving of vibrations in the room. Is that not so? Like I said, my floor is not a concrete slab. Now I am confused.

It all depends on the design solution for each approach, the suspended design and the high-mass non-suspended design.

Turntables from Avid, Basis Audio, Michell, etc. have efficient design principle/implementation and floor vibration should not pose a big problem for their designs. That means that you probably don't need to invest on a platform to go under the table, although my experience with suspended turntables is that a well designed platform always helps.

In a high-mass design, vibrations are mostly absorbed by the mass itself. This doesn't mean that all high-mass turntables are good at deadening resonance. The materials and their dampening characteristics have to be carefully chosen.

I personally don't feel confident saying that high-mass non-suspended designs are better with vibrations than suspended ones, or viceversa. It will always depend on the particular design.

I had a suspended turntable a few years ago, which I always felt it was lite in the bass area. I changed my whole analogue rig for a high-mass non-suspended turntable and I'm getting great bass, mid-range and highs, all with great stability. But because I changed the entire setup, including tonearm, cartridge and phono preamp all at once, I cannot say for sure that the suspended turntable alone was responsible for the lite bass.

There are great turntables on either side of gamut, so you should look at all the features that a particular turntable has to offer. IMO, speed stability is extremely important, so I recommend you look at a turntable that has a motor controller with speed adjustments.

Best,

iSanchez