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Tube vs. Solid State Phono Stage

So, I've always had toob amplification; mostly SET. Upstream, I have analog vinyl only. In keeping with my philosophy, point of view, style, whatever you want to call it, I've felt compelled to go with an all tube phono stage:
Cary PH302.

In summary, this has 55db gain, tubed rectification, RIAA equalization and gain stages.

I have no complaints.

However, I can't help notice that some, what seem to gennerally be considered, as world class phonoo stages are solid state.

In my price range, I'm at least thinking about what a Pass Xono would add to my system.

Any insight or opinions?

thanx
pawlowski6132

Showing 1 response by ptmconsulting

ptmconsulting
1,000 posts
 
I had a Hagerman Coronet for a long time and generally poo-poo'ed solid state designs. A friend brought over a Plinius integrated amp he was evaluating for a review and it had a solid state phono stage. What a dramatic difference in terms of slam! But it was a wee bit sterile sounding compared to the tubes.

So an upgrade was in order for me. I came across a Hagerman Trumpet and picked it up. It has the slam and speed of the solid state and the imaging, bloom and musicality of tubes. My vinyl is now one of the best I have heard.

I'm using it with a Dynavector 20X-H, otherwise I would need a step up - something to consider. the EAR 834's in their modded form are also certainly worth checking out if you want the best of tubes.

Enjoy,
Bob
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