Tri-Planar with no anti-skate?


On a hunch I removed the AS weight entirely from my new TP 7 (Merrill table & Ortofon Kont H cart).

The sound improved to an astounding degree: tons more body, much more solid imaging.

Certainly, I must not have had the anti-skate optimally adjusted, I am curious if others prefer it this way too.
paulfolbrecht

Showing 2 responses by palasr

Same cart, same arm, different table. Ultimately, I found that I preferred the increased resolution over the added sense of body, weight or gravity to the note; as such, I've removed the monofilament and dogleg completely. I've found that adding a tiny bit of VTF (we're talking maybe a hundredth of a gram, probably less...about a tenth of a rotation on the fine VTF) more than compensates for this loss. I assume you've also removed the damping trough completely as well.

I also find that I enjoy listening more at this time of year as it's warmer and more humid (even with AC). Not that I enjoy the heat, but something about the way sound travels through the warmer air tends to give me a greater sense of body, better dynamic shading and overall sonic density, like you can reach around each performer a bit more clearly. YMMV and all that.
Lewm, I am talking about an increase in VTF by a tiny amount - considerably less than a hundredth of a gram. At the same time, when we speak of measuring THD as it relates to AS what is it exactly we are hearing? I think on the TP, the AS dogleg contributes as yet another resonant bit (like the dampening trough) - I find its removal beneficial to the overall sound by removing a tiny (but noticeable) coloration to the presentation. At the same time, there is a slight loss of depth and gravity to instruments in the R channel, but I find that adding a slight amount of weight (like .004 grams) seems to firm up and add weight back to the presentation. Perhaps I am suppressing an increase in THD via VTF due to my removal of the AS entirely; maybe I'm actually increasing THD and I simply like it - again, all the factors of setup interact intimately with one other. Am I merely trading one type of coloration/distortion for another? Probably. I guess it all depends on which type of dirt you like the best, or find the least offensive - because ultimately, it's all a little bit dirty, a little bit colored. In fact, if the goal was a "perfect" coloration-free audio system, I think most of us wouldn't be sitting here discussing such minutiae, because listening would be rather boring and sanitized - look where digital has brought us.