Townshend Seismic Isolation Podium Platform Review:


Townshend Seismic Isolation Podium Platform Review:

Comparison:  To the Iso- Acoustics Gaia 1’s.

Procedure: I removed my Iso-Acoustics Gaia 1’s that I have had under my Focal Sopra 2’s speakers from their entry into my system to compare the sound with the Townshend Seismic Isolation Podium Platform.

With the 2 Townshend Seismic Isolation Podium Platform size 3 now in place. BTW,  I must add that I placed the order from Townshend in England from the USA on Tuesday, they were shipped on Thursday and I received both of them by Monday. Pretty fast shipping, Oh, if only the USPS could get there act together…

Starting with the bass. = There is definatly more clearly defined bass notes. Defined is my choice word. I listened to familiar tunes with prominent bass notes.  I like to imagine if I can feel a real bass player playing along. That is; with the power and tonality of a live performer. Can you feel the bass pluck?

Midrange. = I hear more hidden clues in the music. I listen for the clarity of the voice and instruments. Live recording’s is usually the best to examine. (See my conclusion below)

Treble. = The highs are extended naturally. Nothing added or taken away. I think the treble sounds more open, cymbals shimmer longer, better? Again, I think so.

Soundstage. = Definitely an improvement in both front/back side to side images. Very happy.

Conclusion:

Ok, I admit I am an old time rocker. My favorite group is Creedence Clearwater Revival. On the “Green River” tune (24/192hz download), previously I could sense the rhythm guitar of John’s older brother Tom strumming but could never quite hear it clearly. No wonder he got pissed.

Well today with the Townshend Platforms in place, I can hear the brother clearly strumming along, a little left of center, sort of floating above the speakers. This tells me that I am hearing deeper minute images that were once buried in the mix.

I like the livelier sound on the Led Zeppelin track “Rock & Roll” HD 24/96hz but it always seemed a little anemic, like it should sound more dynamic. Well now with Townshend Platforms in place it does! The drum whacks have more presence. And the cymbals really ride with the music. Most impressive.

The size of the Platforms fit my Focal Sopra 2’s perfectly, almost like they were made for them. Edge to edge in all directions, perfect fit. For smaller rooms the outrigger extensions may be cumbersome but in my open room they look fine.

Nothing negative to report, except maybe the cost. But I also own many Critical Mass footers that are quite impressive and I can’t believe what those little buggers’ cost.

Quite frankly, instead of trying other footers that are perhaps cheaper and sort of a band aid approach that will cause you to keep searchin’ for that missing element, go for the real thing(s) and finally enjoy your system.

ozzy


128x128ozzy

Showing 1 response by prof


Excellent review Ozzy!

I’m still waiting to pull the trigger on the Seismic Speaker Bars (I have other things I may buy first).

I’d considered giving the Iso- Acoustics Gaia’s a whirl but when building my turntable isolation base I tried the isoacoustics pucks under the platform and they didn’t do much to isolate relative to the Townshend pods I had, and I tried the pucks under my speakers too and didn’t particularly care for the results. I figure I’ll just skip them and go for the gold :-)
I mentioned in millercarbon's thread that I tried a cheap version of spring footers under my Thiel speakers and they amazed me in terms of tighting up the bass, opening up the sound, refining everything (though the sound got a bit too laid back).    I've been integrating a subwoofer recently and while it is also helping open up the soundstage more, it didn't have quite the amazing effect of making the speakers disappear and refining and digging out more information as the springs did.