Townshend Seismic Isolation Podium Platform Review:


Townshend Seismic Isolation Podium Platform Review:

Comparison:  To the Iso- Acoustics Gaia 1’s.

Procedure: I removed my Iso-Acoustics Gaia 1’s that I have had under my Focal Sopra 2’s speakers from their entry into my system to compare the sound with the Townshend Seismic Isolation Podium Platform.

With the 2 Townshend Seismic Isolation Podium Platform size 3 now in place. BTW,  I must add that I placed the order from Townshend in England from the USA on Tuesday, they were shipped on Thursday and I received both of them by Monday. Pretty fast shipping, Oh, if only the USPS could get there act together…

Starting with the bass. = There is definatly more clearly defined bass notes. Defined is my choice word. I listened to familiar tunes with prominent bass notes.  I like to imagine if I can feel a real bass player playing along. That is; with the power and tonality of a live performer. Can you feel the bass pluck?

Midrange. = I hear more hidden clues in the music. I listen for the clarity of the voice and instruments. Live recording’s is usually the best to examine. (See my conclusion below)

Treble. = The highs are extended naturally. Nothing added or taken away. I think the treble sounds more open, cymbals shimmer longer, better? Again, I think so.

Soundstage. = Definitely an improvement in both front/back side to side images. Very happy.

Conclusion:

Ok, I admit I am an old time rocker. My favorite group is Creedence Clearwater Revival. On the “Green River” tune (24/192hz download), previously I could sense the rhythm guitar of John’s older brother Tom strumming but could never quite hear it clearly. No wonder he got pissed.

Well today with the Townshend Platforms in place, I can hear the brother clearly strumming along, a little left of center, sort of floating above the speakers. This tells me that I am hearing deeper minute images that were once buried in the mix.

I like the livelier sound on the Led Zeppelin track “Rock & Roll” HD 24/96hz but it always seemed a little anemic, like it should sound more dynamic. Well now with Townshend Platforms in place it does! The drum whacks have more presence. And the cymbals really ride with the music. Most impressive.

The size of the Platforms fit my Focal Sopra 2’s perfectly, almost like they were made for them. Edge to edge in all directions, perfect fit. For smaller rooms the outrigger extensions may be cumbersome but in my open room they look fine.

Nothing negative to report, except maybe the cost. But I also own many Critical Mass footers that are quite impressive and I can’t believe what those little buggers’ cost.

Quite frankly, instead of trying other footers that are perhaps cheaper and sort of a band aid approach that will cause you to keep searchin’ for that missing element, go for the real thing(s) and finally enjoy your system.

ozzy


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Showing 3 responses by everest

Recently put together a DIY turntable platform: 1 1/4" granite slab sandwiched to 5/8" ground steel plate with 1/8" sound damping polymer between. Set this on 4 Townshend pods and plopped my Brinkmann Balance on top ... wow this I believe outperforms any HRS or SRA platforms I've had in the past with the advantage of the ability to level the gear with the Townshend pods.
Very impressed.
And all at a substantially less cost than most of the common commercial offerings.
Plus, you can make your platform to the exact size you want.
Really like it.
Thanks, yeah the granite/steel platform weighed in at approx. 120 lb. (about the max I could slug up onto the equipment rack) and turntable at 77, so I choose 4 appropriately sized Townshend pods and double sided taped them to the bottom of the steel. 
The spring action works great ... quite compliant yet well damped so almost zero oscillation.

Highly recommended for any non suspended turntable and the bonus is the ability to level the unit.