justubes2 or salectric, do you have any more progress to report on the Path Audio resistors. I presently have Kiwames mixed with Duelunds in the tweeter section. The top end is quite lively (bright) and using all Duelunds was too bright. Mixing Kiwames tamed things down but I would like to get better resolution but without the brightness. Did you find the Paths mixed well will Duelunds? Also, do the Paths affect the rhythm. Any further input on the Paths will be appreciated.
Top resistors
Many threads with opinions on boutique coupling capacitors, but very little consolidated information on the sonics of resistors. Anyone care to share their thoughts on the attributes of their favorite brands & types for specific tube and SS applications? How much of a difference does a good resistor make?
My interest in the topic increased after recently installing the latest Texas Components nude Vishay TX2575 in several SS and tube phono & LS components. This was a proverbial "Ah-ha" moment-- a stray resistor dropped into signal path here or there, surprising with an improvement that equalled or surpassed the impact of a switch to a top coupling cap like V-Cap or Mundorf.
My interest in the topic increased after recently installing the latest Texas Components nude Vishay TX2575 in several SS and tube phono & LS components. This was a proverbial "Ah-ha" moment-- a stray resistor dropped into signal path here or there, surprising with an improvement that equalled or surpassed the impact of a switch to a top coupling cap like V-Cap or Mundorf.