tonearm questions

Thanks for the responses. I was planning on mating it with one of the Denon MC cartridges for now, possibly a 301. I will be jumping from a SME 3009 +linn Adikt. I guess you might say it is a big jump, but I don't see an reason to make lots of little jumps in between.

Regarding the vdh wiring, is there a big difference between the 150s 150m and 300 M? Which do they use? I read somewhere that the rewire with non standard wire made a significant difference.

It appears somewhat popular to knock the V, but given that it was designed with suspension in mind, it is probably the best choice. Could someone please explain what in particular makes it a better match, other than it is not a uni-pivot. Is there anything else I should look at?

Lastly, if I buy used, do the Vs bearings suffer with age? I presume the tightness of the bearings are critical to the success of the tonearm.

Thanks again

Sorry, there are a bunch of unrelated questions here. I am on the verge of pulling the trigger on a new tonearm for an Oracle tt, which is a suspension tt. I have heard both a Graham 2.2 and a SME V,( but not back to back), on the same rig, and both times I was impressed. What I am trying to figure out, is what is a good match for a suspension tt. From what I understand, traditionally, it has been the SME style.

As I am probably buying second hand, I was trying to figure out a few things:

1. Whether there is any difference between an upgraded 1.5 (to a 2.2) or one that was bought as a 2.2).

2. The SME V has been around for approx. twenty years, and I was wondering if there have been subtle changes over the time. Is a 1985 SME V the same as a 2006 SME V?

3. Lastly, there does not seem to be much discussion about the Rega RB 1000. Is this arm just not in the same category?

Thanks