Tone, Tone, Tone !



I was reminded again today, as I often am, about my priorities for any speaker that I will own.

I was reminded by listening to a pair of $20,000 speakers, almost full range. They did imaging. They did dynamics.They did detail.

But I sat there unmoved.

Came home and played a number of the same tracks on a pair of speakers I currently have set up in my main system - a tiny lil’ Chihuahua-sized pair of Spendor S 3/5s.


And I was in heaven.

I just couldn’t tear myself away from listening.

Why?

Tone.

The Spendors satisfy my ears (MY ears!) in reproducing music with a gorgeous, organic tone that sounds so "right.". It’s like a tonal massage directly o my auditory system. Strings are silky and illuminated, saxes so warm and reedy, snares have that papery "pop," cymbals that brassy overtone, acoustic guitars have that just-right sparkle and warmth. Voices sound fleshy and human.

In no way do I mean to say the Spendors are objectively "correct" or that anyone else should, or would, share the opinion I had between those two speakers. I’m just saying it’s often experiences like this that re-enforce how deeply important "the right tone/timbral quality" is for me. It’s job one that any speaker has to pass. I’ll listen to music on any speaker as background. But to get me to sit down and listen...gotta have that seductive tone.


Of course that’s only one characteristic I value. Others near the top of the list is "palpability/density," texture, dynamics.

But I’d take those teeny little Spendors over those big expensive speakers every day of the week, due to my own priorities.

Which brings me to throwing out the question to others: What are YOUR priorities in a speaker, especially if you had to pick the one that makes-or-brakes your desire to own the speaker?

Do you have any modest "giant killers" that at least to your way of thinking satisfy you much more than any number of really expensive speakers?



prof
jaferd that's what I think too:)I've striven to assemble a system that does both.Not perfect, but the beauty of tone with enough detail to not get boring.Detail without a organic tone is fatiguing to me.
@prof, your third paragraph perfectly expresses my own feelings on the subject. There is of course no such thing as a perfectly uncolored (or transparent, or anything else) loudspeaker, but some allow me to "suspend my disbelief" enough to enjoy the music. Each of us has our own personal requirements for what will achieve that objective, the challenge now is in finding a way to hear all the potential candidates. That, and finding the money to pay for the one of our choice!
jaferd I am most definitely with you. A good system should do everything right and play all music correctly. Unfortunately to get it all right requires a fair expenditure beyond what most of us can afford so we have to make compromises. This is where the various opinions come in. Some issues are more important than others and this varies from one person to another. What many of us prefer is a little inaccuracy like the distortion with tubes which creates a warm blush over the music. It gives you a greater sense of space. I would not say there are just two schools. Some of us are easier to please as we tend to listen to less demanding music like light Jazz and classical. You wouldn't need to have a monster amp and subwoofers to get Smashing Pumpkins up to 110 db. But I think it is important to know that some of this stuff is stupid expensive and one need not spend that kind of money to get a top notch system and that is where the fun lies, creating that system without emptying your retirement account.
Both Gordon Holt and Doug Sax (both mentioned above) eventually discovered active ATC. ATC are the speakers they used daily until they passed away.

The tone of the Spendor S 3/5S is mainly the polypropylene cone - the plastic is quite flexible and they tend to roll off early. A polite upper mid range BBC dip is the characteristic tone - not as lively as other materials. Harbeth and Rogers and other plastic cone speakers tend to share this tonal character.
Interesting tread, I often find, and I may be totally wrong in that big speakers with many drivers need a lot of power to sound good, and mostly they sound at their best at higher listening levels, I myself went the bbc route a couple of years ago (Graham Audio LS5/9) and the first thing that struck me was how wonderfully it sounded at low volume, and as the op, tone and timbre sounds really good, but for a big room (American) they would probably not be powerful enough, unless used as near-field monitors.
My bigger speakers, I usually played louder, the 5/9 not so much, mostly 70-85db and I still get the same enjoyment, if not more from the 5/9.