Tone, Tone, Tone !



I was reminded again today, as I often am, about my priorities for any speaker that I will own.

I was reminded by listening to a pair of $20,000 speakers, almost full range. They did imaging. They did dynamics.They did detail.

But I sat there unmoved.

Came home and played a number of the same tracks on a pair of speakers I currently have set up in my main system - a tiny lil’ Chihuahua-sized pair of Spendor S 3/5s.


And I was in heaven.

I just couldn’t tear myself away from listening.

Why?

Tone.

The Spendors satisfy my ears (MY ears!) in reproducing music with a gorgeous, organic tone that sounds so "right.". It’s like a tonal massage directly o my auditory system. Strings are silky and illuminated, saxes so warm and reedy, snares have that papery "pop," cymbals that brassy overtone, acoustic guitars have that just-right sparkle and warmth. Voices sound fleshy and human.

In no way do I mean to say the Spendors are objectively "correct" or that anyone else should, or would, share the opinion I had between those two speakers. I’m just saying it’s often experiences like this that re-enforce how deeply important "the right tone/timbral quality" is for me. It’s job one that any speaker has to pass. I’ll listen to music on any speaker as background. But to get me to sit down and listen...gotta have that seductive tone.


Of course that’s only one characteristic I value. Others near the top of the list is "palpability/density," texture, dynamics.

But I’d take those teeny little Spendors over those big expensive speakers every day of the week, due to my own priorities.

Which brings me to throwing out the question to others: What are YOUR priorities in a speaker, especially if you had to pick the one that makes-or-brakes your desire to own the speaker?

Do you have any modest "giant killers" that at least to your way of thinking satisfy you much more than any number of really expensive speakers?



prof
Alex, I did not know he used those. They are a 15" (I think) coaxial driver with  horn in the center. Altec called it a duplex driver. It was mounted in a simple ported enclosure. It would be about the right size for a studio monitor. Probably very efficient.
Hi @mijostyn ,

Yes he did. But he used "improved" crossover that made frequency response more flat.

Regards,
Alex.

jaferd

It seems intuitively obvious that an accurate system would reproduce the beautiful tonality of natural instruments and voices, so that's what "everyone" would shoot for.

I think this all gets complicated by the vast number of colorations inherent in the recording/mixing/mastering/reproduction chain (including speakers designs, different rooms etc).   I've seen some people, who know more than I do about speaker design, explain that it's essentially impossible for a speaker to truly, accurately reproduce the original sound of instruments (different polar responses and other issues being a bugaboo).  Whether that's strictly the case or not, it seems like many can do better than others, at least to our individual ears.

My ideal is a speaker that would indeed reproduce the amazingly wide variety and richness of "the real thing" (be it piano, voice, guitar, and many other instruments).  Some seem to get closer than others.  But as a compromise, since much of what we listen to is artificially constructed (and often sounds that way), I at least want a speaker that helps me enjoy the music as much as possible, and I'll go with a speaker that has a general "voice" that sounds generally "right" in terms of an organic quality, even if strictly speaking it's not able to perfectly reproduce the original sound.

As per my OP, I'm not wedded to only the Spendors.  Not at all.  I have a number of speakers that for me all capture some essentially "right" and pleasing qualities. 






jaferd that's what I think too:)I've striven to assemble a system that does both.Not perfect, but the beauty of tone with enough detail to not get boring.Detail without a organic tone is fatiguing to me.
@prof, your third paragraph perfectly expresses my own feelings on the subject. There is of course no such thing as a perfectly uncolored (or transparent, or anything else) loudspeaker, but some allow me to "suspend my disbelief" enough to enjoy the music. Each of us has our own personal requirements for what will achieve that objective, the challenge now is in finding a way to hear all the potential candidates. That, and finding the money to pay for the one of our choice!