Tone, Tone, Tone !



I was reminded again today, as I often am, about my priorities for any speaker that I will own.

I was reminded by listening to a pair of $20,000 speakers, almost full range. They did imaging. They did dynamics.They did detail.

But I sat there unmoved.

Came home and played a number of the same tracks on a pair of speakers I currently have set up in my main system - a tiny lil’ Chihuahua-sized pair of Spendor S 3/5s.


And I was in heaven.

I just couldn’t tear myself away from listening.

Why?

Tone.

The Spendors satisfy my ears (MY ears!) in reproducing music with a gorgeous, organic tone that sounds so "right.". It’s like a tonal massage directly o my auditory system. Strings are silky and illuminated, saxes so warm and reedy, snares have that papery "pop," cymbals that brassy overtone, acoustic guitars have that just-right sparkle and warmth. Voices sound fleshy and human.

In no way do I mean to say the Spendors are objectively "correct" or that anyone else should, or would, share the opinion I had between those two speakers. I’m just saying it’s often experiences like this that re-enforce how deeply important "the right tone/timbral quality" is for me. It’s job one that any speaker has to pass. I’ll listen to music on any speaker as background. But to get me to sit down and listen...gotta have that seductive tone.


Of course that’s only one characteristic I value. Others near the top of the list is "palpability/density," texture, dynamics.

But I’d take those teeny little Spendors over those big expensive speakers every day of the week, due to my own priorities.

Which brings me to throwing out the question to others: What are YOUR priorities in a speaker, especially if you had to pick the one that makes-or-brakes your desire to own the speaker?

Do you have any modest "giant killers" that at least to your way of thinking satisfy you much more than any number of really expensive speakers?



prof
Music is basically a bunch of structured tones so there you go. Might explain why many people are happy listening to portable devices with speakers. They all can do structured tones in one form or another.
1. Transparency/Tonal balance
2. Soundstaging - wide and deep
3. Dynamics
4. Accuracy
5. Coherence

Feeling that in Popular music (non-classical), the melody and vocalist are my number one priority (I am hesitant to say that, as it may seem to minimize my love of harmony and counterpoint, as well as the chord structure of songs), the lifelike reproduction of singers and their vocals has to be my personal number one in the reproduction of recorded music.

J. Gordon Holt was a stickler for the reproduction of vocals without what he called "vowel colorations" (he single-handedly created much of the audiophile vocabulary, though Harry Pearson loved to take credit for that accomplishment) . When I read a review of a loudspeaker by JGH in the very first copy of Stereophile I received in 1972, I immediately knew what he was talking about when he used that phrase. We hear voices everyday, and if a loudspeaker (or recording) produces an un-natural tonal-timbral sound, we instantly recognize it as such. How anyone can listen to music through a "colored" loudspeaker is a mystery to me.

I own the spendor s3/5r2’s and I must say I agree. They just sound right. As stereophile reviewer said...these are all I need.....problem is I also own harbeth p3esr's and wharfedale 225's lol. Hard to decide which to listen to at times, but I like having the choices!😁👍