Tone Controls


I have recently rethought the issue of tone controls. How many recordings do you own that you don’t like, but a little tweaking and it may be a different story?

How are using tone controls different than when they master the CD in the final process? I have a particular CD that I like and on one song it has a slight glare one it that I feel was missed in the mastering process. Without tone controls, there is nothing you can do after the fact.

Tone controls seem to be taboo in the high-end arena; I think they have been given a bad rap. We were sold the reasoning for no tone controls and we bought it.

If the tone controls have no affect on the signal when left in the middle, such as McIntosh does, no harm no foul, but a useful “tool”.

Someone may have a system that caters best to a certain type or style of music but falls short elsewhere, possibly with tone controls this could be overcome.

Any other thoughts?
brianmgrarcom

Showing 1 response by 6bq5

With regard to tone controls, I find that there are a few areas with solutions, and some others that demand new software. For LPs, there are a few vintage pre-amps that offer different EQs, other than RIAA. The Mac C-8 actually allows the user to set the eq with 10 switches. This was developed to accomodate the many early EQ formats.

In the case of a basically Good system with some minor Room issues that tone controls might fix, I would suggest looking into the room issues more closely. I realize that tone controls have a higher WAF/SOAF but if the room problem can be IDed and fixed, one might get a significant order of magnitude of improvement - these could be little things like moving the speaker in/out a few inches, etc.

Sean has a good suggestion vis external boxes connected through loops. There have been a few preamps that offer quality tone controls, Cello, Metaxs?, etc, but they are expensive.

Yes this area is over looked, but it is a trouble some area to solve well.
Good luck.