To those with multiple tables/arms/cartridges


How do you 'play' your system?
For 30 years I had only one turntable, one arm and one cartridge......and it never entered my mind that there was an alternative?
After upgrading my turntable nearly 5 years ago to a Raven AC-3 which allowed easy mounting of up to four tonearms......I decided to add two arms.
RAVEN
A few years later I became interested in Direct Drive turntables and purchased a vintage 30 year old Victor/JVC TT-81 followed shortly after by the top-of-the-line TT-101 and I designed and had cast 3 solid bronze armpods which I had lacquered in gloss black.
TT-101
By this time I had over 30 cartridges (both LOMCs and MMs) all mounted in their own headshells for easy interchange.
STORAGE

Every day I listen to vinyl for 3-4 hours and might play with one cartridge on one arm on one table for this whole day or even two or three days.
I then might decide to change to a different arm and cartridge on a the same table or perhaps the other.....and listen to the last side I had just heard on the previous play.
I am invariably thrilled and excited by the small differences in presentation I am able to hear....and I perhaps listen to this combination for the next few days before again lusting after a particular arm or cartridge change?

Is this the way most of you with multiple cartridges/arms listen?......or are there other intentions involved?
128x128halcro

Showing 6 responses by manitunc

I use a Manley Steelhead which has 3 phono inputs and one line input that I run a Simaudio LP5.3 into, all running into a Musical Fidelity M3 Nuvista which also has a phono input to get 5 phono inputs available through my system. My custom Lenco has 2 arms, my Transrotor Fat Bob has 2 arms and my Sony PS-x65 runs into the M3 phono input. the Steelhead has switchable loading on the front panel, so its easy to load each cartridge without opening the box. And 3 or my arms have replaceable headshells, so its pretty easy to get a large combination of cartridges playing with little down time between. Which one I use is random.
What easier way is there to compare cartridges than to mount two arms on one table with identical arms and play them both at the same time, switching between inputs to hear them each play the same album, seconds apart. Maybe some of you have a good enough memory to wait to change cartridges between plays, but not me. So, I can have arm to hold my main cartridge, and the other to hold any contenders for the throne. Or one stereo and one mono. Or one MM and the other MC. or whatever other foolishness my heart desires. And still take up only the space of one table.
Nandric,
Maybe you can change a cartridge and be ready to listen in 5 or 6 minutes, but I can't. Just taking off and putting on a cartridge takes me more time than that, without setting VTF and alignment. I mean, without your settings being perfect, there isnt much point in comparing. And then you have to actually listen for a while. For me, unless there is a great difference in the sound between the two, it takes me a while to hear the differences, especially when you are dealing with cartridges in the over $1000 range. It is the subtleties that I am listening for, not huge disparities between cartridges.
nandric,
hearing a difference is not the same as making qualitive observations. Of course, gross differences can be heard, but I am referring to subtle ones. Is there a little more air, a little tighter bass, a little more clarity on the cymbals, a little more forward in the midrange. That is a lot easier to determine in 5 seconds between switching inputs, not so much after an hour, and the loss of concentration while changing and aligning a cartridge. If you can, more power to you. I can't. Not with any certainty anyway.
Nandric,
Yeah, I get that. In fact, one of my other tables has a replaceable headshell for that very purpose, and I have about 10 cartridges premounted on headshells that I change out once in a while just for giggles. that is certainly easier than going through a full install, and I dont think there is any huge loss in quality from a fixed headshell arm.
My Manley Steelhead has 3 phono inputs and a line input that can take another phono input for a total of 4. front panel R and C and gain plus variable output gain, remote control and tubes for a lot less than $15,000. Who could ask for anything more.