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To Linn and Theta listeners...

I've recently upgraded my CD source from a Rotel 975 (as transport) and Theta Progeny (as D to A) to a Linn Ikemi. Rest of system is: Linn Majik, N805 biwired, PS Audio Power Plant, and Audio Quest Midnight Cables, room is heavily treated.

Now to the issue - I've lost some of the immediacy of my music. For example, female vocals have lost the goosebump factor (the breathyness, the crispness, the tension) in exchange for a greater smoothness. Also, some of the details of the insturments have been masked somewhat (the guitar plucking, etc). And while hardly unpleasent, the laid back nature of the Ikemi just doesn't pull me in the way the cheaper playback did.

So, to those of you who have heard both Linn and Theta, am I hearing the difference between two D/A approaches or could it be something else?

Thanks for your thoughts/time in advance.

Lee
mprime

Showing 2 responses by mprime

mprime OP
92 posts
 
Wow.

Although very skeptical, I tried a version of the rollerblock under the Ikemi (golf balls :-). There it is, the nuance which gives me the goosebumps, smoother and more refined than the old Theta rig. Amazing.

So now I'm going to find the _proper_ isolation device. Thanks for the input from all. It's deeply appreciated.

Lee
mprime OP
92 posts
 
Morasp,

Well, goosebump territory was an overstatement :) Just got excited and could see how coupling/isolation/dampening _can_ make a difference (something I was closed to before the golfball experiment).

Since that post, I've experimented with many different approaches and am still in that phase. I love your homemade rollerblock solution! I've purchased the grade 25 tungsen balls from McMaster Carr and have been trying to figure out keep them in place; your spoon idea is inspired.

So, I guess this thread has evolved into something else - what to rest the Ikemi on (it's clear it's a superior player).

Once again, thanks to all for being so helpful.

Best,

Lee (now an audiogon member)
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