Just a comment to add some perspective. In looking through the national yellow pages on-line, there are 8,444 commercially available recording studios listed in the United States. (With no shortage of the listings claiming they are "state of the art.")
You're going to be able to find pretty much any brand of speaker you can think of in use. And, every brand is going to have its fans and detractors.
You didn't mention your volume need. You've got plenty of power with the Rowland, but some speakers are better fits if you want to mix at a 95 or 100 dB average level and still have room left for peaks.
Besides volume, another factor you didn't mention in your post was whether you are mixing mostly amplified/processed music or primarily acoustic. While some studios take whatever walks in the door, others do concentrate on certain types of music.
One last question, any reason you consider the Dynaudios to be nearfield only?
You're going to be able to find pretty much any brand of speaker you can think of in use. And, every brand is going to have its fans and detractors.
You didn't mention your volume need. You've got plenty of power with the Rowland, but some speakers are better fits if you want to mix at a 95 or 100 dB average level and still have room left for peaks.
Besides volume, another factor you didn't mention in your post was whether you are mixing mostly amplified/processed music or primarily acoustic. While some studios take whatever walks in the door, others do concentrate on certain types of music.
One last question, any reason you consider the Dynaudios to be nearfield only?