Normally I listen to Tidal via an ethernet line into the Bridge II in a PS Audio PWDII. It's superior to running USB into the DAC, which sounds a little flat and uninvolving. Since Tidal MQA is through the desktop app only, I did listen last night via Macbook > USB > DAC.
Holy crapballs, we are on to something here! Is this the new sound of no pre-ringing? Transients and percussion were just more natural and pleasing; ambience and impression of the recording venue's room acoustic were more clearly present. Bass was somehow more plump and more taut at the same time -- and better pitch-defined.
I found that the most satisfying level was a 1-3 dB louder setting on the pre-amp. Not sure if that's because the mastering level is lower or if because the reduced digital hash makes a higher SPL more palatable.
This technology will become disruptive. Why? Your lifetime collection of redbook CD's will soon be smoked by streaming the MQA version of the same album.
Still buzzing this morning over what I heard last night. Wow.
Holy crapballs, we are on to something here! Is this the new sound of no pre-ringing? Transients and percussion were just more natural and pleasing; ambience and impression of the recording venue's room acoustic were more clearly present. Bass was somehow more plump and more taut at the same time -- and better pitch-defined.
I found that the most satisfying level was a 1-3 dB louder setting on the pre-amp. Not sure if that's because the mastering level is lower or if because the reduced digital hash makes a higher SPL more palatable.
This technology will become disruptive. Why? Your lifetime collection of redbook CD's will soon be smoked by streaming the MQA version of the same album.
Still buzzing this morning over what I heard last night. Wow.