Thinking of modding my 834p, or should I move on?


I have an 834p deluxe and it needs a small repair. The cost of the repair isn't that much off of having some additional modifications performed, and once the board is desoldered, I was thinking...I may as well go whole hog! However, I am wondering if investing nearly 1k in modifications is really cost effective. I use a Koetsu Black and am thinking of moving up the Koetsu line and/or buying a Grado Statement Statement. I've read quite a few times that the 834p transformers are not that great. The Deluxe sells for around 900-1000 used, so for 2k I could perhaps buy the EAR 324 used or look at something else, unless at even 2k, the moddified 834p would be a solid investment. I like the sound, but I admit I don't have much experience with phono stages at all, and this is the only tubed one I have experience with.

Any input would be welcomed.
zanth

Showing 3 responses by skushino

Hi, I also have an 834 and have recently modified it per Thorsten Loesch's guide on AA.

http://db.audioasylum.com/cgi/m.mpl?forum=vinyl&n=108318&highlight=834p+thorsten&r=&session=

It involves some updates to the circuit like direct coupling and power supply filtering, as well as replacing some stock caps, resistors and diodes with better parts. It is a suprisingly simple procedure, and results in very nice sound. The guide is so well organized, describing each step in detail, that even I could do it ;-) My total parts cost investment is about $100. The results are quite good - factoring in the cost, this is really a no brainer.

My contact with Mitch Singerman is very positive, if you choose to go this route. He has two or three levels of mods, all limited to exchanging parts. He does not modify the circuit, per Thorsten. Mitch seems very knowledgable, and qualified to complete the work, as well as a gentleman. On the other hand, I found that the largest gains came with modifiying the circuit. I know, because I did my project in phases to evaluate the results.

IMO $1000 to mod this unit is too much. Just me, but this is really simple to do. For comparison, I have listened to more expensive phono stages (the usual suspects: Lamm, Aesthetix, Pass, Dartzeel, Manley, ARC, Hovland, etc,), so I have some familiarity with this class of product. The modified 834 delivers surprisingly charming and elegant sound for what it is, it may or may not be comfortable in the above company, but I am not aware of a commercial $2k unit that would embarass it.

Scott
Hi, well $100 is an estimate. The components are Thorsten's recommendations. Here are the particulars:

C1 and C7 - Mundorf ZN tinfoil film caps from HiFi Collective in UK. Price was around $56 including shipping. Bty, I strongly recommend staying away from this vendor. Customer service is abysmal.

C3 and C4 1% NOS silver mica caps - around $11 total (Ebay)

C6 Elna Silmic - $0.50 (Handmade electronics)

C8 and C9 Nippon Chemicon electrolytics - around $15

Caddock precision resistors (6 pairs) and diodes D1 and D2 around $50

PSU filter resistors (2) - no charge (from a friend)

I was already using outboard mc step up trasformers (S&B TX-103), so again no charge for using these in lieu of the internal step-ups

So in total, around $133 (+ or -) in parts. Hope this helps.

Scott
Hi,

I did a quick scan of (used) phono stages currently for sale on Audiogon, around $2000 (your pricing breakpoint). A partial list includes:

Klyne 7PX, Thor TA3000, Whest, Canary Audio, Herron VTPH1mc, Joule Electra OPS2, Pass Labs Ono, Art Audio Vinyl One ($2400), Klimo VIV, and Pass Labs XONO.

This is a surprisingly varied assortment of phono amps, including both tube and SS products, and different circuits. There are of course, many more for sale at less than $2000. Additionally, you mentioned the EAR 324. I don't see these for sale as often, but if memory serves me, they could be had around $2k.

If I was in your shoes, the wide variety of choices wouldn't make my decision any easier. UNLESS I first clarified what I wanted in a phono stage, and then found one that met my needs. For instance, Dan_ed mentioned a preference for a FET mc stage over a tube stage. This would narrow the field considerably to units like the Herron. On the other hand, I once owned an ARC SP-9, which has a FET input, and couldn't take it. Implementation has a huge impact in this price range, because these units are NOT cost-no-object designs. bty, I would love to listen to Dan_ed's Doshi phono stage because a friend, with similar sonic preferences to mine, has and loves his. bty, the same friend has (had) and loved the EAR 834P after mods and the Wright phono stage. He and I tend to value ability to convey emotion over absolute resolution of detail.

Unless you have the means and perserverance to obtain many phono stages to compare yourself, I suggest choosing one or two that interest you, listen yourself, then pick a winner and sell the other.

And I really don't want to advocate someone else buying gear just because it happens to be in my system. In fact, I myself probably would not invest $2k in the EAR. I have about $750 total in mine (the unit itself plus parts for the mod) and I'm content until (or if) I decided to pull the trigger on something in the $4k - $5k range, where I would expect significant improvements. IMO.

Cheers,
Scott