The "great" sound of reel to reel explained


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I've been going in circles for decades wondering why the recordings that I made from my LP's onto my reel-to-reel machine sounded better than the original LP. Many arguments on this board have flared up from guys swearing that their recordings were better than the LP they recorded it from. I was and still am in that camp. Of course this defies all logic, but Wikipedia offers an explanation that makes sense to me. It explains why we love the sound of reel-to-reel so much.
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The Wikipedia explanation is below:
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128x128mitch4t

Showing 3 responses by kijanki

Atmasphere - My Benchmark DAC1 was specifically designed not to be warm sounding since according to technical director of Benchmark John Siau warm sound is good for voice and some instruments like guitar but does bad things to instruments that have more complex harmonic structure like piano. Piano, according to him, can sound on very warm gear almost like out of tune.

People don't want neutral sound - just look at Audiogon posts how many people seek warm sounding gear or ask how to make sound warmer. One person started thread asking how to make sound warmer and less detailed (I advised blanket over speakers) http://forum.audiogon.com/cgi-bin/fr.pl?aamps&1198790051&read&keyw&zzblanket

My Benchmark DAC1 was chosen in studio test as most accurate but not the best sounding of few DACs. Recording engineers liked it but audiophiles didn't - calling it sterile and clinical. Somebody even mentioned that instruments should not sound separately but together (as a sound blob). My first impression was pretty much the same - it was so clean I thought at first that some instruments are missing from recording. It is a little bit similar to sound of guitar - clean jazz guitar will be lifeless and sterile but you add distortion and it will become lively and dynamic rock guitar.

As for reel to reel - there are reasons why it was replaced in studios by digital recorders. Nobody is recording with pre-emphasis anymore because of that (useless feature of CD player). I also remember that analog tapes had tendency to copy from layer to layer and had to be once a year rewind to prevent it.

Yes, digital has shortcomings but I cannot stand hiss coming from analog recordings or pops coming from vinyl. It constantly reminds me that I listen to speakers and not the concert. It annoys me so much that I will take any other option to avoid it - but reel to reel isn't the one.
"I want speakers that swing all three ways. That's why I run 6 or more pair at a time in different rooms."

Mapman - can you repeat it in front of my wife? (otherwise she won't believe me)
Atmasphere - I wish I knew more about recording process. What you say about superiority of recording hardware over media must be right since I've heard some older recordings as good as modern ones. Problem started only when they started digitizing poorly, with a lot of A/D jitter, at the beginning of CD craze.