The Modern DAC killed High Resolution Music - has Stereophile proven it?


Hi Everyone,
One thing I've mentioned a lot is that over the past 10 years or so DAC's really closed the delta in how well they play CD (i.e. Redbook) vs. high resolution (96/24 or higher). I've stated for a long time that the delta closed so much that high resolution music no longer seemed to be as important.

Stereophile just released an interesting set of measurements regarding jitter performance of older players vs. today. It's not absolute proof of my thesis, but it certainly is correlated.


https://www.stereophile.com/content/2020-jitter-measurements

One thing, as I commented, you don't have to compare old DACs to the $15,000 Bartok. The Mytek Brooklyn and others in the $2,000 price range also demonstrate this, and in fact has a very similar jitter rejection profile to the Bartok. The point to me is, almost all decent DAC's have jumped leaps and bounds in jitter performance. That's for sure.  Perhaps this explains the disappearing gap in performance as well between Redbook and Hi Rez?

https://www.stereophile.com/content/mytek-hifi-brooklyn-da-processor%C2%96headphone-amplifier-measur... 

erik_squires

Showing 1 response by biffkitty02

How about considering the cost of Hi Rez files?  One download can cost more than one month of Tidal (Hi-Fi/Masters sub for $20).  Recent purchase of a Mytek Brooklyn+ leaves me as satisfied via Tidal as my CD rips upsampled via JRiver to 24/192 or DSD.  The Brooklyn also does surprisingly well with Redbook.  I do only have several Hi-Rez files so my experience is limited, but to me the cost is prohibitive and I have discovered so much new music through Tidal.