the magic of power cords


We need a bit of magic in our lives. It might be the reason why audiophilia has such traction among people from all walks of life.

The neophyte's skepticism is likely proportional to the level of technical training - the more you think you know, the stronger the conviction that, for example, the power cable business is a sham: "electrons are electrons" and "if the house cabling is bad, why would the last 3 feet matter?". The stronger the conviction, the more humbling the experience of hearing the power cord magic in action.

A few years back a Sophia Electric amp came into my hands with what looked like a generic power cord. The few non-generic cords I tried (Audioquest AC15, Audio Magic XSteam, Shunyata Research Diamondback) made a significant difference for the worse. The thin, black, generic-looking original cable allowed for a clarity and definition of voice and instruments that got totally washed out with the aftermarket cables. A night-and-day difference. No doubt - the power cord made a huge difference - but not in the expected direction. The Audioquest AC15 was particularly bad.

For awhile, I kept trying them around on all incoming equipment (be it DACs, preamps or amps). The AC15 sounded so bad every time that after awhile I wasn't even trying it out.

Many years and few amps later - something seemed not quite right with the presentation of my KAV-300i: slightly dull upper bass. Power cord: Zu Birth. Finally (after multiple interconnects and few speaker cable swaps) I pull out the power cord stash (same as above). This time around the AC15 was the great surprise: it allowed for clarity and macro dynamics well above the others.

What do I learn? Nothing, really. When is shielding important? When is gauge? How about the conductor or the insulation? How come there isn't one "best" design?

The magic continues.
cbozdog

Showing 5 responses by schubert

My closet looks like a cable factory, several hundred IC's ,SC's and power cables. I've tried most of the usual suspects in mid-price ranges and haven't thrown away or sold one in 30 years, though I have gifted some.

I see now I need to try AirSines , my flavor 2 and 4 will still be in closet though-LOL.

If there is one thing I'm sure about in audio its that that hunk of wire that sounded terrible on one piece of gear will sing on another.
Yes Mt, I have several MAC HC's as well as the MAC source ones.
What I like about MAC is that it seems to sound at least good, if not great, on about anything.
My new to-go to is the Cullen Crossovers at about $200 bucks.
Very "blackgound" for any cable much less for that money.
Yes Beewax, I think we all agree its not magic.
Problem is the variables are so many with so many unknowns, that short of a general field theory and a Cray in every house, cut and paste is the only course.
Try caps in your tuner will make one PC on your pre sound different than other and so your entire system .
To know all the variables would take a NASA flight to Jupiter scale effort.And probally still fail.