TECHNICS SL1200 MKII.......THE REAL FACTS

I certainly am not trying to start an argument or controversy or anything of the sort. I am stating this for the sake of fellow analog lovers. How I even wound up with this thing is funny. At the time, I owned a Linn LP12 with the Basik arm. The Linn was a 1980 model with no updates. Sounded nice though. I was in a pawn shop that was going out of business and everything was "make an offer". There sat this SL1200 MKII in like new condition. I offered $50. He said $100. We settled on $80. I had never heard one I had no desire to own one. I bought it to "flip" it. Before walking out the door, this guy hands me a chrome cover (steel, fits over the cast aluminum top of the turntable and totally covers all the aluminum, allowing only the controls, tonearm and platter to show) and he says "You might as well take this too. It fits nothing here." I have just played with and experimented with this thing and it really does not take much to make it really sing. After some tweeks, I discovered that it resolved better than my Linn (plus it did not go out of whack every time the barametric pressure changed). In detail, the turntables that in some way or another this modified Technics has bettered are: Sota-Comet, Rega Planar 3 with motor upgrade in 1999, Thorens TD320 with Audioquest PT5 arm, AR ES1 with Sumiko Premier MMT, Linn Axis, Dual CS5000, and I forgot about the VPI HW19 JR with the MKIII platter. The modded Technics: Is more 3 dimensional with more images that are both more forward and further rearward- The bass is dynamic as all hell. It is tight and defined with superb pitch definition- The midrange is unravled in a sense.... Example: On Abby Road, the song Something in the Way She Moves there is a spot where there is organ, bass guitar and electric guitar. Normally (with EVERY other table I have owned) these would all be homogenized to the point that you could kind of tell what all was making up these notes, but with the modded Technics they are clearly individualized; the timbre of each instrument being revealed. In a nutshell, the modded Technics offers the pitch stability, freedom from peaks or dips or bloat in the bass yet with bass slam, the separation of voices and instruments......things that are actually strong points of CD yet with the musical harmonic structure of analog. Overall, pretty cool. Without the mods, you get tastes of this, but the mods solidify it. It started out as money making purchase, then an experiment, now I am trying to de-throne it without mortgaging my home doing it. (LOL) I am not looking to stir any pots, I am not looking for validation, I am simply stating what I (and numerous audiophile friends) have heard. By the way, the motor has no trouble at all getting up to speed. It's like the extra weight isn't even there. All this performance with so little maintenance. Kind of neat, but it does make my "snob meter" go off every once in a while.

I am certainly not stating "Throw away your Goldmund and get a Technics!"; what I AM saying is that all of the tables I mentioned were entry levelish in nature. The modded Technics holds it's own pretty damn well, it has surpassed all of them I mentioned in one or more areas and the overall versatility and "set it up and forget it" nature of the Technics is pretty damn nice.

I found that after adjusting the bearings, new arm wire, cotton internal filling and heat shrink on the outside and a Sumiko headshell (which is not only a better headshell but also adds Azimuth adjustment) the arm sounded way better. I installed a Sumiko Premier MMT with the thought that it would be better yet only to find that I really did not gain a thing, but lost lots of the original arm's ease of adjustment.