Talk but not walk?


Hi Guys

This isn't meant to start a fight, but it is important to on lookers. As a qualifier, I have my own audio forum where we report on audio issues as we empirically test them. It helps us short cut on theories and developing methods of listening. We have a wide range of systems and they are all over the world adding their experiences to the mix. Some are engineers, some are artist and others are audiophiles both new and old. One question I am almost always asked while I am visiting other forums, from some of my members and also members of the forum I am visiting is, why do so many HEA hobbyist talk theory without any, or very limited, empirical testing or experience?

I have been around empirical testing labs since I was a kid, and one thing that is certain is, you can always tell if someone is talking without walking. Right now on this forum there are easily 20 threads going on where folks are talking theory and there is absolutely no doubt to any of us who have actually done the testing needed, that the guy talking has never done the actual empirical testing themselves. I've seen this happen with HEA reviewers and designers and a ton of hobbyist. My question is this, why?

You would think that this hobby would be about listening and experience, so why are there so many myths created and why, in this hobby in particular, do people claim they know something without ever experimenting or being part of a team of empirical science folks. It's not that hard to setup a real empirical testing ground, so why don't we see this happen?

I'm not asking for peoples credentials, and I'm not asking to be trolled, I'm simply asking why talk and not walk? In many ways HEA is on pause while the rest of audio innovation is moving forward. I'm also not asking you guys to defend HEA, we've all heard it been there done it. What I'm asking is a very simple question in a hobby that is suppose to be based on "doing", why fake it?

thanks, be polite

Michael Green

www.michaelgreenaudio.net


128x128michaelgreenaudio

Showing 2 responses by vinylfan62

This discussion has been enlightening. One particular idea that hit home with me is tuning a system to negate what is at first thought of as a bad recording. I've done this. But I won't anymore. I just want to listen and enjoy music most of the time. Let me point out that I tweek everything. None of my stereo equipment has avoided modifications. But when it's time to listen I want to enjoy the music and not have to adjust to maximize every recording I choose. I recently returned a MOFI LP to music direct. It sounded off. The replacement was excellent. Should I have kept the first one and changed my system to suit the recording each time I played it?  I used to do that. Maybe grab a different cartridge and get it setup. That's about 10 minutes between recordings, right? I guess I lost the patience for that. 
I realize I didn't comment on your main question. That's because I don't have an answer (or a theory or a hypothesis). I can't even explain why some people respond with anger or animosity or disinformation to everything these days.  If they get something out of that I can't fathom it. 
Good luck in your quest to understand others in this hobby...or anywhere. 
geoffkait, what's inside the Mpingo?  I don't recall it being said that there was anything inside. I can't find a reference to that on the web. I remember the stir these things caused in the 90's. Its kind of like the current tuning discussion.