Synergistic Research ECT


Many years ago, I'm going to say about 20, a fellow named Michael Greene came out with a rack that purported to improve performance by clamping components between the shelves. Preposterous, I thought, and wrote a letter to the editor telling him so and asking to please not waste my valuable time with such nonsense. A letter I soon came to deeply regret. Because within a year I had heard for myself what vibration control can do. Today the value of vibration control is (or should be) clear to all audiophiles.

So that's Preface Part One: Don't knock it if you haven't tried it.

Preface Part Two: Don't be so sure its not there just because you can't hear it. Learning to recognize and describe what you are hearing ain't necessarily easy. I used to drag my wife along to audition CD players, because I wasn't entirely sure myself if what I was hearing was there or in my head. When time after time she said, "yeah it sounds better, I can't say how or why but this one definitely sounds better" I knew it was for real. Now I'm able to hear in a flash what I used to agonize interminably over. But it did take time. And effort.

And so with that out of the way and everyone understanding this review is for those who either have the listening skills or at least would like to develop them, my recent experience with the Synergistic Research ECT.

Now according to Synergistic, and a ton of reviews, these things work pretty much everywhere. Well, to a guy like me, them's fightin' words! Nobody ever said anything about using them on a turntable motor. So that's right where the first one went. Right onto the top of my Teres Audio rim drive Verus motor. Just stuck the thing on there. Its not gonna work. No way it can work. On a motor? No way. Waste of time. Sat back down and... what the.... dang... seriously? Its on the bleedin' motor! How's that work?? BS! Witchcraft! Got up and removed it. Uh, no, bad idea. Put it back. Ahh. Much better.

With the ECT stuck on the motor everything in the soundstage took on a more palpable reality. There was a greater sense of depth, and air or space around each source. Not wider or higher, nothing moved around from where it had been. When I say greater depth, its not like anything moved closer or further away. The feeling of depth is hard to describe. A lot of it comes from a greater sense of being more immersed in the recording space. Bigger recording space, bigger room, greater depth. Something like that. Removed, the presentation went flat and grainy. Funny, never seemed there was any grain or etch before. One New York minute with ECT and remove them though, yeah, there's grain. Stick that thing back on there. Inner detail. Sense of ease. All better now.

That's just one. On the one place nobody said they would work. What about where they ARE supposed to work? I stuck one close to the base in front of the D101 power supply tube on my Melody Integrated. OMG, here we go again! Same thing. Here I also noticed improved dynamics and a lower noise floor. Heard this with the one on the motor too, and its hard to say which location had the greatest effect on which. I guess, to be really systematic about it, you could move one around trying a dozen different spots, looking for the biggest effect. Actually did that a long time ago with a Shakti Stone. Overpriced waste of money, that. Not so these. When something works this good, you just want more.

But first, I did of course try removing it. Just to be sure. Still hard to believe. Putting it back, this time I placed it behind the tube. Same result. What about transformers? The power transformer on the Melody is big and heavy, and encased in some sort of shiny black stuff, plastic or whatever I don't know. For sure there is no way a tiny little dot of aluminum (for the record, I have no clue what its made of) gonna have any effect on something that big and massive. Only, it did. Same. Exact. Results.

Crazy.

For those keeping score at home that's 3 ECT's deployed. They come 5 to a box. Only used about half, already happy. Which gets us to, what's it worth? My longstanding Gold Standard for tweaks is Black Diamond Racing Cones. At $20 each and needing 3 per component they coincidentally come in at the same $60 per ECT. Comparing apples to oranges I would say one ECT comes very close to three Cones. Not quite there. But close. Considering nothing I've ever heard comes close to BDR for the money that's pretty high praise indeed.
128x128millercarbon
For those who don't know, the comment above is from the inventor of Teleportation, Flying Saucers and Codename (Yes, really, Codename) White Poppy.  http://www.machinadynamica.com/index.html

Good luck tawa finding someone credible who has tried all those. Two things you might want to consider in choosing where to spend your hard earned Federal Reserve Notes. All the Synergistic tweaks are super easy to try and then remove and send back if you don't like them. 30 day money back guarantee. And you will know right away, because with ECT and PHT there is zero break-in time. Even assuming Total Contact is as great as its many satisfied customers claim, they also are very clear in saying it takes quite a while to settle in. How long do you plan on enjoying music? Six months or a year or three from now when you may have sold or traded components you will still have your ECT or PHT to tweak the new gear. Meanwhile whatever you had left of your Total Contact will have long since gone bad even if you did try and carefully preserve it in the fridge.

If it was me I'd start with the ECT. They are just so consistently effective and easy to use on so many components. Next would be a toss-up between PHT and HFT. Between those two the deciding factor for me would be which do I think is likely to be improved the most? My room is pretty well dialed in acoustically, and I am free to do more of whatever I want. But if I had a room with problems, and especially a room where I had to be discrete in treatments, then I would probably want to try HFT first. 

Either way I always go into it knowing it really doesn't matter what anyone else has said, it only matters what I hear in my system. And if what I hear sucks then I want to be able to send it back. Because, much more often than not, that is what happens. Can you do that with Total Contact?
Is that supposed to bad publicity? Good publicity? Should I put him on the payroll? 
Millercarbon,your reply was quite straight forward and honest,regardless
of the fact that i have no plans to replace my current equipment,point taken concerning the Total Contact.
Ps no Federal bills it`s the €uro
i will order  some ECT's.
Tawa:
The good news is all of the mentioned Synergistic Research products work , and also please do not forget their wall outlets and fuses also make a significant difference.
Perfect Tecnologies Total Contact and their Omega E-Mat also have a beneficial effect.

The big question is where to start. If your budget is $300.00, I would get a tube of Total Contact and treat the circuit breaker box wires. In my box that was about 80 contacts. This will decrease noise in all electrical circuits in the house or apartment. This can be thought of as establishing a good foundation to better sound.

If my budget is 1500.00 I would get the Synergistic Research HFT’s and treat the acoustics of the listening room (even if the room has been acoustically treated with other products).

Then I would use Ect’s, outlets, and fuses.

I use all of these products myself.

David Pritchard
Late night listening is always better what with the lower noise floor and reduced grain and glare, presumably due to quieter cleaner power. I've noticed the same effect day or night simply by flipping a lot of breakers off. Which while it is a really nice improvement is also a big hassle what with all the stuff you wind up having to reset, hot water heater going cold, etc. But it does indeed clean up the power very noticeably, even in the daytime. Is that what you get treating the breakers?