I might hurt people with the following statement, but I'm afraid this is the truth: Proamps are NOT audiophile quality amps with the exception of two brands: FM Acoustics from Switserland and Rey Audio. Sorry.
Chris
Chris
Studio/Performance Amps for High-End Systems?
As a practicing (hobbyist) keyboard player and audiophile, I am familiar with why one would not use a guitar amplifier for a keyboard, for example. But, I notice that some of the finest brands of high-power power amplifiers for recording studios or live performances (QSC, Crest, Crown and more) cost hundred or thousands of dollars less than high-end "audiophile" power amplifiers of similar or fewer watts/channel. The specs of these musicians' amps, designed to play 20-20K full-range sound through very low impedances (often as low as 1 ohm) seem to equal those of, say, a McCormack, Classe, Krell amp.
Is there something I'm missing here? If one needs 500 wpc or more, why buy a McCormack DNA-500 for $7K when you can get a QSC with 800 wpc into 8 ohms, capable of driving a 1 ohm load, for $2500?
Is there something I'm missing here? If one needs 500 wpc or more, why buy a McCormack DNA-500 for $7K when you can get a QSC with 800 wpc into 8 ohms, capable of driving a 1 ohm load, for $2500?