step up transformer?

I am running an ortofon silver meister on a Thorens TD-124. I have a Fosgate signature phono pre and am wondering what type of SUT I should use with this set up. I do not think I am getting the most out of the Ortofon at this stage.
Audio note has some great SUT's Pricy but the entry level is not bad
The Bob Devices Blue Series 1131 reviewed much higher s than the Audio Note. See Art Dudley Stereophile, 10 Audio, 6 Moons, & Dagogo. Made in USA
Well, with your open price range, here's my list. A23 Homage T1, A23 standard for SPU, Choir Hashimoto H-3 or H-7, Ortofon Verto, Bob's devices 3440, 1131. EAR, K&K,Ikeda. This of course assuming the Fosgate Sig has MM phono.
Sorry...meant to state my budget which is between $500-$800.
I know a couple builders who are big fans of Jensen SUT. The Jensen MC SUT use to be in your price range (don't know about these days, particularly with the weak dollar vs. the pound).

Rothwell, another English company also makes MC step ups that have a good reputation.
Dear Fromunda: I think that a good alternative is Ortofon, they design very good SUTs for its cartridges. Ask them.

Regards and enjoy the music,
I am confused.

The Fosgate sig should have more than enough gain straight in, and as you know is designed for both MM, and MC.

Why is it that you want the SUT?

Do you want to bypass the first layer of amplification and switch to the MM position?

Cartridge loading from 100 ohms to 100k ohms -- with stops at 300, 500, 1k and 47k ohms in between -- when I try to switch different loads with the knob there is no discernible difference at all as to sound. Maybe I am looking at this all wrong,shouldnt I be able to hear sonic differences as I move through various loads?
yes you should be very noticable....I wish I could offer you help on why you're not hearing this...

You can look up your cartridge specs on vinyl engine it says your carts output impedence is 6ohms.

Good 2nd hand step ups are Denon AU340, this has a 3 ohm setting and a 40 ohm setting for Denon 103 series cartridges. The 3 ohm setting would be ok, A U-Bros 5 (L) would be very nice in your price range. For more selections you could get a Ortofon T-30 but i have never tried one.
For a LOT of MC cartridges, there is not much sonic difference between 100 ohms and 47,000 ohm (47k) because 100 ohms is, relatively speaking, close to being wide open; this is particularly the case with low source impedance cartridges. The difference you might hear between 100 ohms and 47k ohms would primarily be in the sense of "air" or openness on the top end (some would say "sparkle" to the sound, or a slightly greater sibilance on things like a cymbal or snare drum hit. You may also sense greater bass with the 100 ohm setting. But, given the choices your phonostage offers, many cartridges will show only subtle differences. Bigger sonic changes can be expected if your stage offered options like 30 ohms or 60 ohms.

For most cartridges, 100 ohms and upward work just fine. I would only be concerned about adding more loading (LOWER value) if the sound is unduly bright or sibilant. That would mean soldering such lower value resistor between the hot and ground tab on the inside of the input jack or making a loading plug that does the same thing, or replacing the loading resistor inside of the phonostge.
So Larryi, you think that what I am describing is normal and I will not hear any major differences with load changes?
I think you would hear a substantial difference only if you went with much more loading (LOWER value resistors for loading) than your phonostage allows. If you tried 30 ohm or 60 ohms or any other such values, you should expect to hear more of a change. The high end would be not as prominent (good or bad, depending on what you want), the bass would become more prominent, and a sense of "airiness" would decrease. At values such as 30 ohms or less, you will also be losing a substantial part of the signal to resistive loss, so volume would be lower too.

My own personal preference is to run most cartridges fairly wide open (high value resistor) because I value the sound of an open top end. If I think the sound is a touch too bright or sibilant, I adjust for this by both trying a little more loading (lower value resistor) or I change my cartridge setup by lowering the vertical tracking angle. To some extent, I treat vertical tracking angle and cartridge loading as interactive variables and experiment with both to get the right treble balance.