Stan Getz VOYAGE


A long time Getz fan, this one slipped under my radar until a couple of days ago when I found a vinyl copy at a street sale. One of the greatest jazz records I have heard in quite some time, I can't recommend it highly enough. Getz is in top form, and exceptionally poetic in his playing. He proves once again that saxophone playing can be hip and contemporary, while still sounding velvety, and not as if the horn is about to split at the seams. The rhythm section is superb in every respect. Victor Lewis on drums, George Mraz on bass, are outstanding. But it is pianist Kenny Barron who steals the show on this session. Check out his incredible solo on the opening cut "Wanted to Say"; it is a model of logic and thematic development while swinging his a** off.

This 1986, Blackhawk release is sonically terrific. Producer Herb Wong was obviously inspired by the feeling of the music in the choices he made. The sound is detailed enough, but velvety with a rich bottom end, and no hint of shrillness. Not "audiophile grade" hyper-detailing here, but extremely listenable. After a recent disappointing rash of very noisy used record purchases, my copy of this pressing is very quiet, and consistent. There are three copies of this lp on ebay as I write, including one with an "Excellent" grading. Check this one out, you won't be disappointed.

Enjoy.
frogman

Showing 7 responses by roxy54

I wonder if this has been reissued under any other names on CD as I don't have a turntable. I will check it out. I love the live "Anniversary" disc, and also "Lost Sessions".
Thanks to Frogman, and all other posters. I just ordered the CD from Amazon a couple of minutes ago, and I can't wait for it to come. His music has given me great pleasure for years, and I am in awe of his lyricism and his virtuosity. Truly an all time great, never to be forgotten.
Just as an added thought, I was listening to "The Lost Sessions" the other evening, and I was realizing once again the motivation that drives music lovers to become audiophiles. Stan's playing on this recording is so full of delicate nuance and dynamic shading. It is certainly not impossible to enjoy the music on a transistor radio, but so much insight into his brilliance and expression would be lost. A great recording of great music played back well is an intimate experience.
Ferrari,
I always enjoy reading your posts, and especially your reviews of vintage equipment. Do you also own the "Anniversary" Disc? I have quite a few other Getz discs that I love, but that was my first one, and it is a great one.
I am at work, and I just received my copy of Voyage from Amazon. I want to leave work so I can go home and listen to it, but I'll just have to wait until tonight...
I got home late last evening, and only gave a cursory listen to the Voyage disc. I am sure that I will come to like it very much, but on first casual listen, I wasn't "blown away" in the same way as I was with Anniversary or The Lost Sessions. Again, to put it in context, I only listened to it once and I was tired.
One thing that I can say with certainty is that the recording was a little disappointing. It isn't bad by any means, but the way Stan's sax was recorded was not as good as on The Lost Sessions. On The Lost sessions, you can hear his breath and the sound of the reed so clearly, and yet it is balanced with the sound of the rest of the instrument. Those sounds add so much to the expression of the playing when they are clearly reproduced, and on the Voyage disc, it didn't seem as clear. I also noticed that when he played certain loud notes, it sounded a little peaky, bordering on uncomfortable. Overall, the sound was good, but I am comparing to The Lost Sessions which is very good. I look forward to getting very familiar with this disc.
Thanks for the heads up Frogman!