I have to mention the Burmester 911 or 956. My Dyn dealer had Sim and Burmester and I like the Burmester much better. I listened to those with the original C4's not the MKII/Signatures. I now have the C1 Sig's and they don't seem to need as much power as the originals.
SS Amps for C4 Signature II's
OK, I’m curious about amps.
I have a set of C4 Signature II's that are running with ODYSSEY KISMETS and seem to sound pretty darn good. But, they aren't the be all to end all amps, and they never were meant to be. A good sounding "value", well yes. I have no major complaints on their sound for the price. So, lets not pick on them but look at what might be an upgrade for these speakers. Dragging amps home to audition is a physical exercise in and of itself with 75 pound and heavier weights I'm seeing!
I have just a few amps that seem to be very compelling for different reasons and I’d like some viewpoints from all of you that have been here, done that, and especially C4 users. C4’s can be an odd load at the low-end.
1.0 The first thing is CLASS A verses A/B. The image stability of CLASS A amps is derived from the voltage rails being sag proof (or more so) than class A/B since the are charged up all the time. Yep, that eats power, too. Still, this is an advantage if you pick the right amp.
2.0 A/B amps come in two flavors, high bias amps like an old McCormack DNA-225 (it gets plenty hot when running!) or a lower bias unit like my ODYSSEY KISMETS that refuse to even get warm. The “hybrid” high bias amps that are around (PASS LABS as an example) can run CLASS A pretty high (up to 40 watts in the case of a X350.5). Is that enough to capture the CLASS A “flavor” and A/B efficiency?
3.0 Weight. Man, how do you move your stuff? Some amps are frighteningly heavy making a dual MONO set-up seem logical, but even more expensive. I may get the sound, but the weight can drag you down. Yes, weight is part of the deal in a good power supply, which means get the power you need.
4.0 I HAVE to be able to listen to them before I buy. I don’t need “more” of the amp I have now, worse or the same general sound, but better. So in-house audition is a must. I can’t easily get the PASS or ANTHEM products making auditions and service a pain. But, if it’s worth it, I can try. I can get BOULDER products but they are WAY high priced.
5.0 I am using a PASS LABS XP-10 pre amplifier so I have full balanced or RCA outs.
6.0 Is it just me, or are the specs on these units hard to come by? VA transformer ratings, CAP values in the power supply ETC? Not that this is all there is, but it helps.
So considering those points, and if I’m seeing all this right, we can sort of claw through some of this on paper.
My first choice, again, on paper; Plinius SA-103.
I have heard the Plinius on Theil CS2.7’s, and it imaged VERY well. Can’t comment on the musical balance on my speakers, though.
All CLASS A capability but can run A/B with the flick of a switch so I can listen to the radio with A/B!
Seems to be a solid design with good sonic ratings.
Plenty of power (125 watts / 220 watts) for the volumes I listen to (83 dB SPL average where I sit 15 feet away).
I can get another one if needed for silly amounts of power.
Seems to be nice at low impedance and high current situations.
Wow, it gets warm in CLASS A so keep the music going!
Good paper specs on S/N and separation.
I can actually pick this amp up at 85 pounds.
Price is “reasonable” for a high-end amp.
My second choice is a PASS LABS X350.5 as I’m told that the sweet spot for PASS A/B sound is this amplifier. PASS pure class A is too expensive.
40 watts of class A capability may capture the sound I need?
Seems to be a solid design and also with good sonic ratings.
WAY more power than I’ll ever use, though.
Never need to buy another amp for power.
Stable into low impedance.
I CAN NOT safely pick this amp up at 135 pounds!
Price is “reasonable” if you can find a used one for a high-end amp.
My third choice is an ANTHEM P2 that some say is a giant killer (I don’t see any dead giants laying around anywhere, though).
Seems to be a more standard A/B amp for home theater but…I keep being told to listen to it.
Seems to be a solid design (full of protection circuits).
WAY more power than I’ll ever use, though.
Never need to buy another amp for power.
Stable into low impedance to an extreme.
I can pick this amp up at 75 pounds.
Power rating and light weight make me wonder about the current delivery capability.
Price is “reasonable” for a high-end amp.
My fourth choice is a BOULDER 860.
Doesn’t seem to “double-up” on power into 4-ohms.
Can’t be run “mono” to add one later on.
Built well.
Paper specs are impressive (S/N and separation) but gets a knock for harshness in the midrange.
Seems awful light at 45 pounds to provide a big current reserve in the power supply.
Price seems high for the lightweight power supply.
I have a set of C4 Signature II's that are running with ODYSSEY KISMETS and seem to sound pretty darn good. But, they aren't the be all to end all amps, and they never were meant to be. A good sounding "value", well yes. I have no major complaints on their sound for the price. So, lets not pick on them but look at what might be an upgrade for these speakers. Dragging amps home to audition is a physical exercise in and of itself with 75 pound and heavier weights I'm seeing!
I have just a few amps that seem to be very compelling for different reasons and I’d like some viewpoints from all of you that have been here, done that, and especially C4 users. C4’s can be an odd load at the low-end.
1.0 The first thing is CLASS A verses A/B. The image stability of CLASS A amps is derived from the voltage rails being sag proof (or more so) than class A/B since the are charged up all the time. Yep, that eats power, too. Still, this is an advantage if you pick the right amp.
2.0 A/B amps come in two flavors, high bias amps like an old McCormack DNA-225 (it gets plenty hot when running!) or a lower bias unit like my ODYSSEY KISMETS that refuse to even get warm. The “hybrid” high bias amps that are around (PASS LABS as an example) can run CLASS A pretty high (up to 40 watts in the case of a X350.5). Is that enough to capture the CLASS A “flavor” and A/B efficiency?
3.0 Weight. Man, how do you move your stuff? Some amps are frighteningly heavy making a dual MONO set-up seem logical, but even more expensive. I may get the sound, but the weight can drag you down. Yes, weight is part of the deal in a good power supply, which means get the power you need.
4.0 I HAVE to be able to listen to them before I buy. I don’t need “more” of the amp I have now, worse or the same general sound, but better. So in-house audition is a must. I can’t easily get the PASS or ANTHEM products making auditions and service a pain. But, if it’s worth it, I can try. I can get BOULDER products but they are WAY high priced.
5.0 I am using a PASS LABS XP-10 pre amplifier so I have full balanced or RCA outs.
6.0 Is it just me, or are the specs on these units hard to come by? VA transformer ratings, CAP values in the power supply ETC? Not that this is all there is, but it helps.
So considering those points, and if I’m seeing all this right, we can sort of claw through some of this on paper.
My first choice, again, on paper; Plinius SA-103.
I have heard the Plinius on Theil CS2.7’s, and it imaged VERY well. Can’t comment on the musical balance on my speakers, though.
All CLASS A capability but can run A/B with the flick of a switch so I can listen to the radio with A/B!
Seems to be a solid design with good sonic ratings.
Plenty of power (125 watts / 220 watts) for the volumes I listen to (83 dB SPL average where I sit 15 feet away).
I can get another one if needed for silly amounts of power.
Seems to be nice at low impedance and high current situations.
Wow, it gets warm in CLASS A so keep the music going!
Good paper specs on S/N and separation.
I can actually pick this amp up at 85 pounds.
Price is “reasonable” for a high-end amp.
My second choice is a PASS LABS X350.5 as I’m told that the sweet spot for PASS A/B sound is this amplifier. PASS pure class A is too expensive.
40 watts of class A capability may capture the sound I need?
Seems to be a solid design and also with good sonic ratings.
WAY more power than I’ll ever use, though.
Never need to buy another amp for power.
Stable into low impedance.
I CAN NOT safely pick this amp up at 135 pounds!
Price is “reasonable” if you can find a used one for a high-end amp.
My third choice is an ANTHEM P2 that some say is a giant killer (I don’t see any dead giants laying around anywhere, though).
Seems to be a more standard A/B amp for home theater but…I keep being told to listen to it.
Seems to be a solid design (full of protection circuits).
WAY more power than I’ll ever use, though.
Never need to buy another amp for power.
Stable into low impedance to an extreme.
I can pick this amp up at 75 pounds.
Power rating and light weight make me wonder about the current delivery capability.
Price is “reasonable” for a high-end amp.
My fourth choice is a BOULDER 860.
Doesn’t seem to “double-up” on power into 4-ohms.
Can’t be run “mono” to add one later on.
Built well.
Paper specs are impressive (S/N and separation) but gets a knock for harshness in the midrange.
Seems awful light at 45 pounds to provide a big current reserve in the power supply.
Price seems high for the lightweight power supply.