Springs under turntable

I picked up a set of springs for $35 on Amazon. I intended to use them under a preamp but one thing led to another and I tried them under the turntable. Now, this is no mean feat. It’s a Garrard 401 in a 60pound 50mm slate plinth. The spring device is interesting. It’s sold under the Nobsound brand and is made up of two 45mm wide solid billets of aluminum endcaps with recesses to fit up to seven small springs. It’s very well made. You can add or remove springs depending on the weight distribution. I had to do this with a level and it only took a few minutes. They look good. I did not fit them for floor isolation as I have concrete. I played a few tracks before fitting, and played the same tracks after fitting. Improvement in bass definition, speed, air, inner detail, more space around instruments, nicer timbre and color. Pleasant surprise for little money.
Lewm, you and none of those other people obviously have not heard a system like this.
Impressive. Do you also read tea leaves, tarot cards and perform remote viewing?
... A good suspended table should be immune to everything up to an elephant stepping on it ...
I'm inclined to mostly agree. And yet, in another thread, you claimed this:
If I delete the subsonic filter from the program it ia mass pandemonium. It looks like the drivers want to jump right out of the cabinet. It is just inherent in vinyl if you have a good system capable of reproducing deep bass.
As I've mentioned, and as many have demonstrated, such a problem is not at all inherent in LP playback.
To get back to the actual subject of this thread......

I experimented a little more with the pods under my 401 as it was still a little off balance to my eyes.

Now have 3 springs in left rear and 2 springs in the other 3 corners.
Had to go back to 4 pods as where the rear center needed to be was right where the motor cutout is.

Bass is still nice and tight and very detailed all round.
Cleeds, yes I read tea leaves but most importantly systems like mine are obviously very rare at this point. Few understand the basic issues involved so I am left waving the flag by myself. Which is ok by me. Anyone can ridicule me all they want. Until they have lived with a system like mine they have no idea. Now, people are always bragging about how great their systems are. La De Da. I could give two hoots about what people think about me or my system. I am only trying to give our members an idea about what is possible. But I'll also have to live with the fact that most people still think the earth is flat

Now cleeds, you seem to be confusing two issues. Good suspended turntables are immune to external factors. Like I said I can hit my turntable with a hammer with no ill effect as long as I don't hit it hard enough to cause a dent. Do not confuse this with the low frequency information that is on the disc in the form of warps and surface irregularities which a good system will try to reproduce blindly. If you have a system like mine which is dead flat at the listening position down to 18 Hz with 2000 watts driving each of four subwoofer drivers this spurious information will loosen the fillings in your teeth before it destroys your drivers. Blocking this information is I would think obviously critical in this situation. The only way this can be done without affecting the audio range is with a steep digital filter which I am fortunate enough to be able to program in my system. I hope this explained it adequately.

Mahgister, Ron Carter is not in your room. You have no where near the power and the wrong kind of loudspeakers to image a full size acoustic bass. The best you can do is come up with a miniature version. But, do not feel bad. That is the best most systems can do. If you want to head in the right direction buy a pair of Magneplanar 3.7i's and the biggest amp you can afford over 200 watts/ch.
@mijostyn Any chance of putting up some photos in Virtual Systems? It's time.