Soundstaging and imaging are audiophile fictions.


Recently I attended two live performances in one week--a folk duo in a small club and a performance of Swan Lake by a Russian ballet company. I was reminded of something I have known for many years but talked myself out of for the sake of audiophilia: there is no such thing as "imaging" in live music! I have been hearing live music since I was a child (dad loved jazz, mom loved classical) and am now in my 50s. I have never, NEVER heard any live music on any scale that has "pinpoint imaging" or a "well resolved soundstage," etc. We should get over this nonsense and stop letting manufacturers and reviewers sell us products with reve reviews/claims for wholly artificial "soundstaging"

I often think we should all go back to mono and get one really fine speaker while focusing on tonality, clarity and dynamics--which ARE real. And think of the money we could save.

I happily await the outraged responses.
Jeffrey
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Showing 1 response by audiokinesis

There is a tradeoff relationship between pinpoint localization of sound sources ("imaging") on the one hand, and enveloping ambience and rich timbre on the other. This goes for performance venues as well as for home stereo systems. It has to do with the relative energy levels of the direct and reverberant sound fields. Most performance venues naturally generate powerful, diffuse, fairly slowly-decaying reverberant fields. This is the major contributor to the lush sonic texture and rich, delicious ambience of a good concert hall.

Compared to a live performance in an appropriate hall, most home stereo systems generate a relatively weak (and tonally incorrect) reverberant field. This weak reverberant field is conducive to good imaging and clarity, but not to rich timbre and ambience. Loudspeaker radiation patterns play a very significant (but mostly under-appreciated) role in recreating the feel of a live performance... in my opinion.

Duke