Sony HAPZ1 For prospective buyers and owners


I have been encouraged to share my experiences with the new Sony HAPZ1ES. I hope a few who may be considering purchase of this unit will find this useful. I expect those not interested in purchasing this unit will want to tune this thread out. There is going to be some detail here. I will provide a summary statement with significant conclusions at the beginning of each days record for those not interested in the details.

It would probably be good to start with a few words to provide a frame of reference. I’m not a computer geek. I’m a reasonably bright guy, but a computer to me is just a tool. It’s a hammer that enables driving a nail, that’s it. I learn what I need to know to do what I want to do and that is all.

My interest in the new Sony is that I expected it would facilitate a long standing goal of assembling a computer based system. Further, it accommodates Hi Rez files, and does on the fly conversion of PCM to DSD. It also offers streaming audio, allowing convenient playback of internet radio. It has a 1 TB hard drive, so there is a lot of room for my substantial music collection.

For me, the deciding factor in purchase of this piece was Dan Wright’s enthusiasm for the stock unit and rapid development of a ModWright upgrade package which he says takes the HAPZ1 to reference levels.

Day 1- Initial set up easy, sound quality indeterminate.

I unpacked the unit and gave it about 4 hours to return to room temperature before turning it on. First order of business was to establish the wireless connection with my home network. This was straightforward and took less than 30 minutes to complete. The unit comes with a small amount of software on the hard drive, so this allowed me to begin playing without having to begin download of my existing music library to the internal hard drive. I played through the free music twice, just to give the unit a little burn in time. The free music selection was not my cup of tea, so I could not draw any real conclusions about sound quality.

Day 2- Some frustration with getting set up for download. Interactions with Sony Tech support a mixed bag. Concerned about Sony’s ability to help Mac users. Sound quality with a casual listen promising with under 10 hours burn in.

I spent about a half an hour transferring music from CD to my iMac. Once this was complete, I went to the Sony website and downloaded the free HAP music transfer software to my iMac. Again this was completely straightforward. Upon opening the program, I ran into the first snag. The box that popped up asked me to select the device to which I wanted to connect. There were no devices to select. I began a dialogue with Sony using the chat room accessible from their website. The person who attempted to help me was completely clueless. She referred me to documents which did not address my problem, referred me to documents addressing connection problems with windows machines, and finally, after wasting about 20 minutes of my time admitted she couldn’t help me. She gave me the Sony tech support number.
I called the number (1-800-222-7669) and went through about 3 people before I got to the correct department. This wasn’t as frustrating as it sounds- It just took a few seconds to get to the Sony home audio ES support line. There was about a 10 minute wait until someone took my call. The guy I talked to was pretty sharp. However, his ability to help was hampered by the fact that “ we don’t have a Mac here.” Well, I would suggest that Sony get one!
While we were talking, he indicated that sometimes it takes a few minutes for the music transfer software to find the device. We worked on the problem for a few minutes, and while he was looking something up, I figured out what was wrong. My iMac bluetooth was looking for the wrong network. Once I selected the correct network, the music transfer software found the HAPZ1 immediately. I selected the device, and he advised checking the content settings. A new box shows file extensions that you can select or deselect to be transferred. While flac, wav, mp3, and 12 others appeared as options, ALAC (Apple lossless) did not appear. However, the support guy did a quick Google and found that m4a is the correct file type for ALAC, and that is one of the types listed so I was OK there. I also added /users/my user name/Music/iTunes as a folder to be watched, which probably wasn’t necessary.
Next, I went to the transfer settings. I turned the auto transfer feature off, and selected internal HDD as the destination since I don’t have an external hard drive yet. I activated the manual transfer, which I was doing wirelessly to see how long it would take to transfer the 200 files (tracks). I walked away for a few minutes and when I came back, I found that the transfer had stopped incomplete. I started the manual transfer again and walked away again. When I returned, the same thing had occurred. This may be due to an auto standby feature which apparently shuts the HAPZ1 down after a few minutes with no activity. I turned this off, but I had enough music transferred to give a more serious listen to the unit. I listened to part 1 of the Dunedin Consort recording of the Bach Johannes Passion. This is a wonderful performance, with recording quality that I have found to be somewhat spotty. It is wonderful in the aria and recicitives, but rough in the Chorals. Played back through the HAPZ1, this was pretty close to what I remembered playing through my ModWright Sony 5400. Next I played the Purcell Quartet recordings of Bach’s Mass in G minor BWV235. This is a standard redbook CD, so I was interested to see what the conversion to DSD 2 would sound like. In a word, playback of this music was just absolutely lovely! I suspect this unit, stock, may give my ModWright Sony 5400 a run for its money, but a serious A/B is still several days down the road.
brownsfan

Showing 8 responses by uomoragno

Great review Brownsfan! I am very excited as you appear to be a classical fan. I am too, with many old or out of print classical recordings on CD. My question to you would be one of metadata. I understand that WAV files do not carry metadata as opposed to FLAC and ALAC that does, and transfer can be marginal at best. Sometimes you rip Bach violin sonatas and the metadata reads something completely different on cover art and track listing - especially on old out of print recordings. Does the Sony do well in that regard? does it get cover art and track listings OK on WAV? How about classical organization? Most software is horrible with organizing classical. Again thanks for your report, much appreciated
Brownsfan Thanks for your kind response; you answered my question perfectly. Thanks for your time and enjoy your new toy. I will be watching for more of your very informative posts
Joe
With a little bit of research I learned that FLAC has metadata imbedded in the file (ALAC as well)so it sticks to whatever you transfer it to. WAV does not so it will not transfer correctly. There is a theory floating around out there that states that the reason WAV sounds better than FLAC, is that the processor has to "unfold" or "unpack" a FLAC file as it is a compressed, lossless format to save space on a hard drive. WAV is only lossless. PCM bit for bit. I found that with DBpoweramp ripping software you can have your FLAC and stream it too without file compression. You can actually choose your level of compression - from a lot to nothing at all - of course your files will be bigger but they are supposedly better sounding. I have no idea if it sounds as good as WAV, some literature says it does - just something to try. Good luck
Amen! To Almarg's post.

"I've got some ideas about using playlists to sort out the Bach cantatas by liturgical Sunday."

I have to say you are totally speaking my language. I thought I was the only one in the world that said things like that.

Awesome! I'm not alone
All the best to you Brownsfan!
Joe
Bmoura - Thanks so much, I'll check it out!!

Brownsfan thanks so much for your review, I love Shosty's 13th and your references I could relate to.

I have one more offering on metadata and cover art: I've now been using db poweramp software (there is a Mac equivalent that is free) and I have found that in the software you can assign the metadata and cover art before/while you rip it and if you use FLAC, ALAC or AIFF, it sticks to what you transfer it to; And if you do it right iTunes takes it as the metadata is imbedded in the file. If ITunes or windows has to guess, it may guess wrong which can destroy organization. The ripping software has access to many databases that allow you to choose/edit the correct cover art and edit track listings, genera, artist, ect., as well before you rip and make it permanent. For example as a fan of Shostakovich I purchased the Haitik RCO London/Decca recordings in the early 80s as they came out. Decca, then what became Universal, re released those with different cover art and track listings, to make it worse, part of that recording cycle included the LSO not the RCO, It can be a mess trying to sort through that but the database presented to me while ripping with the ripping software had all the correct cover art and track listings of the original releases. They even have access to all the old Nimbus stuff - Whaaaat?
Its all in the Rip. Rip it once, rip it right. And rip it with a plan in mind as to how you want to use and access your collection. Mind you I'm sure I will run into a snag here and there, such is the plight of a classical music fan ripping CDs
ITunes/windows media a great way to "see" your collection but as far as organization they stink pure and simple when it comes to classical. I would pay good money for a very complete and thoughtful software product that can organize and stream classical music correctly.
Have fun!
Hi Erm,
congratulations on your new purchase and im glad to hear that your aiff transfers went well. Happy day. Curious how you are rippng your sacds; are you diy with a playstation or is there a service avaliable that you are using?
thanks
Joe
I hate to keep poking in here but it pains me to see others feel the same frustration I have had when tying to digitize classical. Hence my initial involvement in this post, I wanted to know if the Sony was up to the challenge. I have found that error is quite common, especially ripping Mahler, that some media centers will have a melt down. Here is why in IMHO: Especially with Mahler or even some of Vaughn Williams when there is a soloist or Choir singing along with the symphony orchestra. If the rip is not specific to who is the "artist" and who is the "performer", Title or they are interchanged in the track list itunes or windows media will either split the album in half or not take it at all - I would guess the reason why tranfers to the HAP are sometimes scrabled is because gracenote is guessing at what, who, when, and where or it is inconsistent. This is common when moving files to a smart phone or Ipod it is the biggest pain in the rear. Ill bet you if you look close in your ITunes its there somewhere but not under Mahler check the names of the soloist or even the conductor. When riping my Tallis scholars CDs I could not find them then I realized I found that all of a sudden I had 19 new CD's under Thomas Tallis and 10 by Peter Philips the conductor not the composer. Odd thing was I only riped 14 CDs. A close look showed that the automatic track listing of both windows and iTunes split them because different tracks listed different artists. It got worse when I moved them to a mobile device. That was a while ago and may not be a problem anymore - especially because the Tallis Scholars are somewhat well known and their metadata is more readily available. But many obscure disks are difficult to deal with. Don't even get me started on boxed sets