Some irrefutable truths about rock and roll


1) Robert Johnson invented rock and roll, and is the rightful King of it. Elvis Presley's title should be amended to "Poster Boy of Early Rock and Roll."

2) Jeff Buckley's version of Leonard Cohen's "Hallelujah" is infinitely better than the Rufus Wainwright version and is the definitive version of the song.

3) The Rolling Stones were and are the most overrated band in the history of rock and roll.

4) If it's too loud you are, indeed, too old.

5) The Stone Roses' self-titled debut is the best debut album ever in the history of ever.

6) John Mayer needs to stop that right now.

7) A good song is a good song, whether it's played on an Audiovox tape deck and a single factory speaker in a 1976 Buick Skylark or a complete Linn Klimax system.

8) A couple of Les Pauls, a Fender Precision bass, and a decent set of drums sound every bit as good as the most disciplined orchestra.

9) There is absolutely nothing wrong with having the occasional urge to crank "Hungry Like the Wolf" from time to time, so long as it doesn't become a habit.

Did I forget anything?

*yes, I realize everyone is entitled to his or her own opinion, and this is meant to be tongue-in-cheek.
theraiguy
I still love the Beach Boys, through Pet Sounds and beyond ( but not all of the stuff w/o Brian).

Mick Taylor's alright, but if you listen to the John Mayall stuff (I'm thinking of Primal Solos, off hand)--he's no Peter Green. He was a good fit for the Stones for that era. It's all good, no?
Again, from my other posts.....Rock and Roll is purely a mode of self identification, at least for me. Case in point loved the Beach Boys, saw them 1964 at U of Del campus. Could not wait to hear Shut Down 409 Little Deuce Coupe I Get A Around, loved it. It was all about me identifying with what I wanted in life at 14. Fast Cars and Surfing. After 1965, I could not identify with them anymore. I do not care for Sloop John B or Wendy, or Brian's latest, Smile, could not relate at all.....but Under My Thumb, Last Time.....well..... being 16.....
You do know about Ron Wood, no Mick Taylor. Basically they wanted someone who would more or less conform to the basic tenets of the Rolling Stones. No more guitar riffing like Mick. In fact from what I understand, Ron's contract states how much face time he has in a video or movie. How much time he gets to show off his guitar licks in a show, etc etc. They no longer wanted a free form guitarist like Mick Taylor. Though Keith as much said, " he was the best". I have a bootleg copy of Gimme Shelter from 1971-72, unbelieve-able, Mick free wheeling with Keith trying to match him......sort of did.....
Shubertmaniac, old folks who were interviewed in the 60's or so said that Robert Johnson borrowed much of his material from predecessors (some, such as Blind Lemon Jefferson, were recording in the "teens"). As great as he was, I think too much is made of what he actually contributed.

You should consider hearing the Stones once with Ron Wood, then you'll have the complete set. I haven't seen them live in over 30 years, but judging from the Scorsese film they're still alive and well.
The Stones are a purist's choice, for sure. I admire them more with each passing year.

However, the form has become so broad over the years that "greatest" labels have really become meaningless. What The Beatles were trying to do is only marginally related to what The Stones were trying to do, so - for me - a comparison is pointless. It will come down to semantics (What is really Rock n Roll?) and, as mentioned above, the purists probably come down on The Stones side of the fence while those with a broader definition might choose The Beatles, et al. Reasonable mainstream cases can also be made for guys as diverse as Dylan, Jimi, and Zappa. Reasonable esoteric cases can be made for hundreds of other artists.

Maniac,

I would point out that there's quite a stylistic leap from Muddy Waters to Chuck Berry in your lineage. I might insert Louis Jordan in there and I suspect that Gatemouth Brown was also an influence on Berry. But your point is taken...it's a long and winding road to any of these artists.
Ah....let me digress a little......I saw the Rolling Stones in 1965 1966 1968 and 1971. Of the 4 1971 was the best. The 1968 concert was OK, but Mick Taylor was just getting into the groove.....I mean......is there a greater song then Gimme Shelter in 1971 with Mick Taylor on lead......???? An anthem like no other????
Ah,,,,,,,,,,agree with Wildoats......."THE" greatest rock and roll band, the greatest garage band, absolutely, the Rolling Stones....... Only Link Wray and the Yardbirds trail the Rolling Stones for 60s American Rock inspiration. I have over 10,000 45 rpms from the 1960s. Of course, Chuck Berry and Bo Diddley influenced them, Which in turn where influenced by Muddy Waters, which in turn were influenced by Robert Johnson.....which was influenced by the work songs of the South....along with Steven Foster.... let us not forget Stephen......and let's not forget the greatest garage band song of all time, the Keggs.....;-))
Yeah, well tell me which current rock band or former one for that matter, that has put out rock records that compare to Beggars Banquet, Sticky Fingers, Let it Bleed, Exile on Main Street and Some Girls? 5 in a row that most rock bands would give their left nut to have created even one as good. Granted they haven't put out a great record for quite a while but I don't think they have too much to prove anymore. History has already decided this fact, so your opinion doesn't really change it.
In their prime the Stones were the best rock n roll band ever, it's not even close. Even now they are better than most.
Two recent active thread here mentioning Hot Tuna.

These guys are on the rise again it seems.

I like a lot of their old stuff and also like their more recent CD "Steady As She Goes'. Very nice cover art!
Actually Schubert, my moniker is Shubertmaniac [ unfortunately when I signed in I misspelled; should have had the "c" and you forgot the "c" at the end, which makes a world of difference] Actually, I wish I was 18 years old again. I did get my car....1968 Dodge Charger R/T [ rip roaring good time with it, and the back seat was put to good use as well!] But when I could no longer feel my youthful suburban middle class pain of alienation, I lost interest in rock music. Not totally, but the passion was gone. I trudged off to college and found classical music. Now I never look back to rock music as an aesthetic experience, but a trip down memory lane as fun and loads of good times. It is nothing more.....but then again nothing less.......and rock as good and/or evil???? As Mick put so succinctly....."it's only rock and roll". Ah yes...one more thought....how many of you danced to rock? And how many times did a cover band play "brown sugar" a night in 1971 at the Stone Balloon in Newark, DE or Tony Mart's in Somers Point, NJ; at least once a set....had to get the people moving.....what's the point.....by 1975-76, if your band was not playing funk or party music...you were not going to get a gig.
The album "Fear Of a Blamk Planet" is an interesting case study for the potential merits of rock music. This is a very dark though not vulgar theme album with the noble goal of bringing out some of the issues that face youths these days. The music is fabulous, the theme and lyrical content haunting. I view the artist's intent with this work as one of the most noble I can think of in recent rock music.
One side note: there is such a thing as noble rock music. I'll cite The Moody Blues example from above again as an example. A lot of Yes as well. Progressive rock is probably the category of rock that one is most likely to find noble works. Symphonic rock, the subarea of prog rock that demonstrates the greatest influence from classical music, perhaps the most along the lines of pure classical music.
Marty, I agree with your post 100%.

Vulgar is vulgar. Noble is noble. Its only art. One can take it or not and do with it what they please.
I don't want to put words into his mouth, but my take from following Schubert's posts over the years is that he simply doesn't have room in his life for for vulgar art. That's not limited to rock music, by the way, IIRC he's no fan of Stravinsky, either. Schubert seems to prefer noble art both aesthetically and for its value statement to society (and possibly the behavioral effects it may inspire, as well).

Rock music (well, most good rock music, anyway) is IMHO vulgar by design. Most of the rock musicians that I admire would likely embrace that description. I find value in art that explores (okay, maybe celebrates) the vulgar (animal) side of human nature, while Schubert seems to reject it.

If I've gotten it right, I'd say that I don't agree with his viewpoint, but I understand it completely.
The problem with telling anyone not to do something (or listen to something) that they might not seem as potentially harmful, is that the end result is most likely that they will, and perhaps not even realize the harm. Especially kids.

My approach has been to call a spade a spade so that my kids know how to recognize it all for what it is. THen they are in a good position to act accordingly. THat is the approach that seems to work for me.

So calling rock or pop music bad or evil at its core does not bother me in that there is some truth to it. Despite perhaps knowing that there is more to it than just that, listening to it will do nothing for some, like Schubert, whose interests and likes reside elsewhere.

Personally, "I know its only rock and roll....but I like it!"
The only quibble I have with Schubert's assessment (apart from the fact that I like early R & R and what followed from it) is S's observation, on the one hand, that R& R is visceral, not intellectual ('hits you in the crotch' to paraphrase him) and on the other, that it invites introspection and navel gazing, which seem to be contradictory. I think the genre comprehends both- from the rowdy hillbilly-turned-'race' music of Sun Studios through the heavy, searing or distorted guitar-centric stuff of the late 60's (extroverted) to the singer-songwriter material of psych-folk, country rock and 'pop' music that focused on a narrative (navel-gazing). I'm good with all of it.
I think Schubert hits a nerve with many with his assessment of rock music.

Ironically, these days, rock is mostly dead and other forms of pop music and culture in general continue to push the limits of what is acceptable to publish or not.

My view is the only way to know about what really goes on in the world is to remove barriers and let what was buried prior be seen.

Where are the limits though? Anyone can say or publish most anything on the internet these days, like in this forum and these things remain on record for others to read, use or ignore as they please.

There is a downside to everything I suppose. That seems to be the way things work. Rock music is no exception.

Now, off to listen to some super raunchy Led Zeppelin.....
"May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the lights surrounding you
May you always be courageous
Stand upright and be strong
May you stay forever young
Forever young, forever young
May you stay forever young"
The thing about rock about is that it's designed to make you look inward, navel-gaze if you will, old men do not warn of it
because they wish to be young again, that is a terrifying thought to anyone with any wisdom at all, but because they fear for you, knowing that to look inward is the worst possible road in life.
Schubertmania,
I'm sorry you couldn't just remain 16, I agree it would have been the best thing in your situation .
I don't see rock musicians as all that different in basic makeup from the great classical composers, or most people in general. Many had their "demons" and music helped to "exorcise" them. Different times, different places, different experiences is most of the difference, case to case. Some are able to overcome their demons and adversity better than others. All, in different ways.

In the end, its a balancing act. I am grateful for the fairly stable upbringing and life I have had and that I have not had to experience the evils to the extent perhaps that some like Shubert have, like the evils of war and battle directly. That I am sure of. My musical tastes would be different I am certain under different circumstances. I understand completely how ones choice in music can help provide balance in life. I only wish more were in a better position to be able to absorb many of the negative or destructive things society throws our way without harm. It goes way beyond merely rock or music alone, that's for sure.
Schubert makes many clear and articulate points on many threads and they are generally respected and well received.

Making ignorant and blanket "right and wrong" statements about a genre of music so varied, pervasive, and intertwined with nearly every aspect of global culture will diminish his otherwise valid and welcome observations on audio.

As for callous responses from me and some others...well...act like a troll, get piled on.
I highly recommend Nick Tosche's "Hellfire," about Jerry Lee Lewis at his peak. Lewis was raised in that fire and brimstone deep southern version of religion, and Tosche's writing alternates between dark, mock biblical passages and the sheer exuberance of Lewis' stagecraft (and lunatic offstage antics). This book captures the good v. evil theme of rock and roll in a way peculiar to its time and place; to me, the so-called 'dark side' of much later acts like Black Sabbath and Alice Cooper were more schtick than reality (much as I love certain of those albums).
I would feel a real loss without some of the music that grew out of the early rock and roll era, including late 60's- early 70's psychedlia. Just to name one album that has been a constant for me since it was released: Spirit's 'Dr. Sardonicus.' Or the soaring jazz inflected drive of the Allman's when Duane was still living.
I won't judge Schubert- his tastes and views are his own. I doubt it has much to do with age. Look at some of the music greats: Chris Blackwell, who brought us so much on Island in the early days, now in his late 70's; the late Phil Ramone, whose discography of production and engineering spanned many generations of great music making; Clive Davis, Ahmet Ergtegun, Mo Ostin and so many others of a 'certain age' who were (and still are) making great music possible.
GEof/Judy/Tort,

Schubert stands firm in his beliefs about right and wrong, which I admire. He is critiquing the music and how he perceives it as affecting people in a way that is negative or harmful to people. There is no doubt it has in many cases, though not all. So I agree with his stand based on principles.

Maybe you've been listening to too much evil rock music? I find your posts callous and condescending and actually might even help substantiate Schubert's point. A little more spiritually uplidting music might do you some good.
Timeless Troubadours

I've read this. Written by a respected and reputable author in his field apparently, not a music critic or media guy. Definitely a lot in there to dispute the notion that all rock music is bad.
.. or this, which ain't a bad place for anyone looking to find themselves to start:

"I've been thinking
The way people do
'Bout the things that matter
To me and you
I've decided
To do what I can
And to find the kind of man
I really am
I can see the world from here
And it sometimes makes me
Want to disappear
Back to nature
That's where we belong
And with just one truth I've found
You can't go wrong
Wherever you go
Whatever you do
Whatever you say
Say, say, say
Say it with love.

I remember
A long time ago
When I heard those guitars
That I worship so
I was captured
I wanted to stay
And to hear that kind of music
Everyday
Heard the songs
Around the world
Saw the smiling faces
On the boys and girls
I was destined
To play come what may
And there's just one thing
I knew I had to say
Wherever you go
Whatever you do
Whatever you say
Say, say, say
Say it with love.

Underneath
A sea of doubt
There's a million voices shouting
Let me out, let me out
When we go
We never return
'Cos there's just one lesson
That we got to learn
Wherever you go
Whatever you do
Whatever you say
Say, say, say
Say it with love
Say it with love
Say it with love
Say it with love
Say it with love."
Here is just one sample of lyrics from a little known Moodies (known for their "classical" music influences) song that provides great example of what I am talking about:

"Walking in the sand
Thinking of things, adventures in my mind
Tall ships that sail
Across the ocean wide
They won't wait for me
See the way they glide away so gracefully
And with tomorrow what will become of me
They leave me so much to explain
That's the start of our guessing game

There are times when I think I've found the truth
There are times when I know that I'm wrong
And the days when I try to hide my fears
Bless the days when I'm feeling strong
Bless the days when I'm feeling strong

Wonder why we try so hard
Wonder why we try at all
You wonder why the world is turning around
When in the end it won't matter at all

Standing in the town
Looking at people, counting their frowns
Unhappy faces, hurrying around
So blind they cannot see
All of these things
The way life ought to be
And with tomorrow what will they make of me
It leaves me so much to explain
That's the start of our guessing game

There are times when I think I've found the truth
There are times when I know that I'm wrong
And the days when I try to hide my fears
Bless the days when I'm feeling strong
There are times when I think I've found the truth
There are times when I know that I'm wrong
And the days when I try to hide my fears
Bless the days when I'm feeling strong
There are times when I think I've found the truth"
I can't really argue with Shubert's irrefutable truths about rock and roll.

At its core, it and its primary influences is as he describes, at the opposite end of the spectrum from what makes great classical music great.

Two things I would point out though.

1) None of us are pure good or evil. Each of us has some amount of both in us. God and the devil, for lack of better words, in different amounts and proportions, that can change minute to minute. I like to think of it in terms of ying and yang. We are that way for a reason. Take either away completely and what is left is most likely lesser overall I suspect. Much of life is about recognizing the good and the bad and how to deal with it effectively. We learn a lot about both from music in general.

2) Rock and classical may be at their core at two ends of the spectrum in terms of high art and cultural value, but there is all forms of music in between of both those, variants of the purest forms in a sense. There is much to take away from it all! Not all music categorized as rock targets our vices. The example I will cite personally is The Moody Blues. They came about in the haze of the sixties but I would challenge anyone to find anything negative at all in their music. Their music is designed prety much exclusively to help elevate others in various ways. There is even a book out there these days that focuses on the spiritual aspects of the groups music.




Please do not confuse me with Schubert!

Rock was never metaphysical but visceral. Rock, rock n roll or whatever words you want to describe it, was always rebellious, at least the notorious side of it. It was always about lost love, cheating girlfriends, revenge, and redemption. Rock was seductive, particularly, to middle class suburbia angst. I wanted fast cars like the Beach Boys and Jan and Dean had. I wanted a GTO. I wanted girls and sex like the Rolling Stones promised. But perhaps by 1967 things changed, it became mainstream, the capitalists could make a ton of money off of it. We went from clubs, to arenas, to stadiums. To some extent the music became slower [beats per minute], even turgid, because the acoustics in stadiums back then were horrendously bad. [ not unlike why plainchant was so slow, not because they do not want to speed up things a bit, but the acoustics in cathedrals were ghastly with reverb! Machaut used this to his advantage!]. And what is truth, in a post modern world? Whatever gets the most applause.......;-)))
Tho our tastes differ by about 180 degrees, I've always found 'Bert one of the most interesting posters here. His views of art and its role in society reflect a sensibility that's not often seen these days. It may be fair to label him intolerant, but its also clear that he finds true joy in the music that fits his view of "noble" art and that he pursues that passion with energy.

I always find his posts well thought out, even tho the context of his logic is narrow. He calls that good taste, others call it intolerant, I'll sit out that debate and continue to read his posts for the very different point of view they represent.

I'll tell ya 'bout the magic, it'll free your soul
But it's like trying to tell a stranger 'bout rock 'n' roll

--John Sebastian
"You know, throughout history, I bet every old man probably said the same thing. And old men die, and the world keeps spinnin'."
Oops, looks like stumbled into the senior audiophile section by accident. How much is that doggie in the window? :-)
Marqmike, I was a young adult when the rock-era started, in a year people went from romantic couple slow-dancing to individual shake exhibitionism.
And it's been all downhill from there.

Two worst thing that have happened , at a psychological level, in my almost 80 years are TV and R&R .
Rock and Roll was just black slang for sex, just added drugs and away it went.
I like Abba. Better than many popular rock acts. Good songwriters, good singers, mass appeal out the gazoo.

Its all music, even the mindless stuff.

I do find the music and entertainment industries obsession with making money and producing mostly mindless garbage these days appalling though. Rock music was a catalyst for that no doubt. I might dislike the corporate warlords, but not the musician pawns that end up successful as a result in general, though I am indifferent to most these days. Music can just be fun though. I love a good pop song still despite all the dreck that runs the system as a whole.
I'm not at all convinced Gatemouth Brown ever played rock. He could swing and play the blues, but is almost unique in the way he usually played ahead of the beat (which I find annoying), but little or no backbeat ("you can't lose it.")
Its aimed at you crotch, not your mind or soul, unless you're evil of course.