Some famous reviewers have atrocious listening rooms!


It’s almost sad, really.  Some reviewers I’ve been reading for decades, when showing their rigs on YouTube, have absolutely horrible rooms.  Weird shaped; too small w/o acoustic treatment; crap all over the place within the room or around the speakers; and on and on.  
 

Had I known about the listening rooms they use to review gear in the past, I would not have placed such a value on what they were writing.  I think reviewers should not just list the equipment they used in a given review, but be required to show their listening rooms, as well.
 

Turns out my listening room isn’t so bad, after all.  

 

 

128x128audiodwebe

Showing 1 response by jonwolfpell

Some of these reviewers are long term experts who I think could probably discern audio differences even in crappy rooms & maybe it’s better they don’t have “ perfect” highly conditioned listening spaces because most of us don’t either?

Many of the reviews I’ve read in the past few years leave me w/ many unanswered questions. I just finished Stereophile’s review of the Klipsch La Scala. Obviously we all know they are super sensitive, super dynamic & can crush just about any other speaker out there in terms of pure undistorted volume with not that many good watts. They only compared it to a 60 year old Altec Valencia! How about compared to speakers of a similar price range in terms of high frequency detail, imaging, low end detail ( did mention it cuts off around 50 hz). 
 

I guess it was just another glowing review for a company’s product that advertises regularly. The magazine took a substantial step down when Art Dudley left us.