If you don't have a problem with Adcom amps driving your Snell Reference A's, then you shouldn't have a problem downgrading the Snells to a lower pricepoint speaker. However, as you asked for opinions, I say keep the Snells and upgrade the electronics, provided the cash is available.
Snell Reference A Tower v. Paradigm Studio 100 v2
I'm facing a choice here, and I'd greatly appreciate the group's input. For the past few years I've owned the Snell A Reference Towers, and have used them in my stereo system. These are large and tall floor-standing speakers with outboard crossovers. I've always thought these were beautiful sounding speakers, with little distortin and great detail. But ... I never felt the sound staging and imaging were very solid or precise.
A few weeks ago a friend asked me for recommendations for a moderately priced system. I recommended the Paradigm Studio Reference 100 ver2 speakers, powered by a Plinius 8200mkII integrated amp. Well, the other day I went to this friend's house to hear his system, and to let him try some Blue Heaven cables and Vibrabods.
I was blown away by his sytem, which cost half or less than mine. The Paradigms threw up a powerful, unshakable and very stable sound stage and imaging. The imaging was stable throughout quite a large listening area. Now I'm thinking of selling my Snells (which listed for $14k new), and getting the Paradigms ... which can be bought new for around $1900.
I will ask my friend if I can borrow his Paradigms for a few hours and see if I get the sam esults here as we did at his place. One potential problem I have is the ceiling in the listening room. Above the speakers, it's about 20' high; but at the listening position it's 9' high. I've been thinking of gluing sound absorbing panels to an area comprising about 1/3 of the ceiling's total area.
But (and here's the question), am I off my rocker for considerng selling $14,000 speakers and buying $2200 speakers?
BTW, I've already put sound absorbing panels on the wal behind the speakers because they're fairly close to the walls. Rest of system:
Plinius CD-LAD preamp
Adcom 555II amps, bridged to mono
heavily modified DP59L 'table with The Statemtn by Grado
Sony XA7ES
Lieder interconnecs
Bear Labs speaker cable
Plinius Jarrah phono stage
Snell SUB 1800 powered by Hsu 250 watt amp
homemade turntable isolation platform
homemade record cleaning machine (blows ... err, sucks away the competition ... i.e., Disc Doctor and VPI)
So, gentlemen (and ladies) ... please, weigh-in with your comments on this dilemma I face. Thanks in advance!
Best regards to all,
Paul Frumkin
A few weeks ago a friend asked me for recommendations for a moderately priced system. I recommended the Paradigm Studio Reference 100 ver2 speakers, powered by a Plinius 8200mkII integrated amp. Well, the other day I went to this friend's house to hear his system, and to let him try some Blue Heaven cables and Vibrabods.
I was blown away by his sytem, which cost half or less than mine. The Paradigms threw up a powerful, unshakable and very stable sound stage and imaging. The imaging was stable throughout quite a large listening area. Now I'm thinking of selling my Snells (which listed for $14k new), and getting the Paradigms ... which can be bought new for around $1900.
I will ask my friend if I can borrow his Paradigms for a few hours and see if I get the sam esults here as we did at his place. One potential problem I have is the ceiling in the listening room. Above the speakers, it's about 20' high; but at the listening position it's 9' high. I've been thinking of gluing sound absorbing panels to an area comprising about 1/3 of the ceiling's total area.
But (and here's the question), am I off my rocker for considerng selling $14,000 speakers and buying $2200 speakers?
BTW, I've already put sound absorbing panels on the wal behind the speakers because they're fairly close to the walls. Rest of system:
Plinius CD-LAD preamp
Adcom 555II amps, bridged to mono
heavily modified DP59L 'table with The Statemtn by Grado
Sony XA7ES
Lieder interconnecs
Bear Labs speaker cable
Plinius Jarrah phono stage
Snell SUB 1800 powered by Hsu 250 watt amp
homemade turntable isolation platform
homemade record cleaning machine (blows ... err, sucks away the competition ... i.e., Disc Doctor and VPI)
So, gentlemen (and ladies) ... please, weigh-in with your comments on this dilemma I face. Thanks in advance!
Best regards to all,
Paul Frumkin