Shindo Monbrison better a RedWine Isabella?


I'm consistently intrigued by the Shindo gear, and I'm eyeballing a Monbrison pre to replace my Redwine Audio Isabella pre. I've currently got the system synergy thing going with RedWIne 70.2s (all Auditorium cabling, Devore Nines). Am I barking up the wrong tree here and about to destroy a good thing, or can I expect higher levels of audio engagement with the Shindo at the heart of things? Thank you in advance.
westexdent

Showing 5 responses by westexdent

Helpless before the seductress that is music reproduction, I parted with cash on a used Monbrison yesterday. It'll probably arrive in another week or so. I'll be sure to let y'all know how system synergy changes, if at all...
Please forgive my failure to point out that my RedWine gear is the updated LFP-V edition. Quite a step forward from the older 70.2s and Isabella.

Glory, could you further illuminate your beef with the Red Wine gear other than it sucks? That's admittedly the first time I've ever heard or read that, and it certainly doesn't concur with my own experiences.

It seems to be oft stated that Shindo is quite finicky in that it prefers more of its own kind and that mixing gear will often rob the "Shindo magic." Would I be doing the same to my "Redwine Audio magic?" Clearly, there's only one way to find out!
I've had the Shindo Monbrison in my system for a couple days now. It does indeed sound wonderful. So does the Isabella from RedWine. Which one is better? To my ears in my space, it's not a hands down no contest. They definitely sound different. I'm not yet positive which one I will keep. I want to let the "new" wear off and settle in with both units a while before making a determination.
Sorry it took so long to respond. Long story short, I decided to hold on to the RedWine Isabella and let Matt Rotunda (a real gem in the audio industry who was a joy to work with... you're in luck if he covers your area) of Pitch Perfect Audio have back the Monbrison.

Upon immediate listen, the Shindo Monbrison had a larger soundstage, more bass kick, and possibly a more seductive midrange (and a low level of sibilance that was only apparent when directly compared to the RedWine). Upon longer listening sessions however, my ears preferred the non-fatiguing smooth sound of the RedWine and its batteries. It must also be noted that the Isabella had the advantage of system synergy in an all Red Wine system, and Shindo reportedly likes to be surrounded by Shindo gear. As an aside, I've decided to try a pair of boutique NOS tubes for the Isabella as I feel that could make a better improvement on my gear after hearing some in the Shindo.

In conclusion, both pieces of gear sound exceptional to my ears, and I would love to own both. At this point, I cannot, and I had to make a decision one way or the other. At this level, I think it's definitely different strokes for different folks. I tend to listen to my rig intently during longer periods to relax. Who knows, a year from know my preferences may have changed, but for now I'm a RedWine guy.