I couldn’t agree more that one of the most, if not the most consideration is system synergy to your tastes, and less about type/class. An additional important factor is what type genre of music you listen to and what is the source. For me, SET tubes deliver the best tone for voices, either analog or digital. But it falls way short on delivering the goods through dynamic passages or rock, where a couple of different Class A classics are my choice. If digital, my best sound is delivered with tubes all the way through- SET if light voices, tube PP (monoblocks) if other. If vinyl, I lean to solid-state amps behind my 28 tube Aesthetix IO Sig phono unless it is a single guitar or similar. I too have a multitude of options when it comes to amps- SET, SEP, PP with tubes, Class A, A/B solid state, mosfet, Bipolar, SIT, etc., etc. and all that is somewhat irrelevant, my decisions are based on the sound. Yesterday I did a listening session where I biamped two BEL 1001’s in stereo (one amp channel driving the base, the other the mid/treble, one dedicated to each speaker) vs the 1001’s bridged in Monoblock. Big difference, not necessarily better, but different. The biamped implementation was warmer with a bit more meat on the bones vs the bridged implementation which had a much wider and deeper soundstage- I preferred the bridged mode. I am starting a shootout where I am going to compare and contrast three classic Class A amps. Stay tuned.