Separate Phono Pre - $$ before I will hear a SIGNIFICANT difference vs. integrated?


In my search for a new Pre-Amp - one of the factors that I am considering is the "Line-Stage" vs. "Built-In Phono Stage" factor.

If I opt for a Line-Stage type - I will probably want to add a separate Phono Pre. I presently do like to spin some vinyl, but I only do it occasionally at the moment because I do not have a permanent place to place the TT. (I store it carefully when not in use)

TT = AR "The Turntable" with Straight (Jelco) Tonearm and Shure MX-V VMR Cart

Q1. How likely is it that something affordable (Like Schiit Mani around $130 USD or Mofi Studio?) will sound equal to or better than the phono stage of the NAD 7220PE Receiver that I am presently using?

Q2. How far up does one need to go in order to note a SIGNIFICANT step-up in Audio Performance?
(Maybe something with Balanced Outputs that is easy to locate CLOSE to the TT?)
geeqner

Showing 1 response by millercarbon

Without knowing anything about your particular NAD, what I have heard from all receivers anywhere and at any price point, they are crap compared to what you can get for the same money in any integrated. Its simple math and economics. Any time you try and do so many different things in one box you are forced to use only the absolute cheapest parts. No surprise, like everything else in life, you get what you pay for. 

So yes any outboard phono stage is just about guaranteed to be a very big and easily noticeable improvement. It will also open up a whole new range of upgrades. Because whatever phono stage you get can be made to sound a whole lot better with the right power cord, interconnect, and fuse. 

With a budget of only $150 however how likely is it you'll be dropping another $300-500 on wire and fuses any time soon?

A much more cost effective upgrade would be to go from the reciever to an integrated amp with a good built-in phono stage. This is your best shot at what you want, a SIGNIFICANT step up.