Schroeder vs. Triplanar VII Sonic Differences


All,

I have read a lot of threads regarding the "superiortiy" of these tonearms in the right combinations of tables and catridges. However, there doesn't seem to be a lot said about the soncic characteristics of each brand and the differences between them. I'm interested in hearing your thoughts about their strengths and weaknesses, sonci characteristics, applicability to various types of music (rock, pop, classical, large scale, small scale, etc).

Will a Schroeder deliver dynamics, punch, bass suited to Rock music? Will a Triplanar deliver natural, timbral accuracy? Are both these arms suited to the same music?

Thanks in advance,

Andrew
aoliviero

Showing 1 response by diamond007

Although, I truly love my Teres 255/triPlanar/XYZ Airy3S/SB/Trumpet w/S&B setups. I have to say, however, that I am somewhat confused by this mfg's. customer service or lack there of shall I say. Please read on:

About three months ago I bought the new TriPlanar VII from the very kind and thoughtful Mehran of SoraSound. After a tenacious set up, I discovered that I was missing the anti-skate weight and unable to finish adjustments. It was not until well after CES that I received the missing weight. Early in Jan. 06 I spoke to Tri Mai regarding the cueing mechanism and resulting drift from my new and latest edition of this tonearm, the TriPlanar VII. He offered to send me diagrams and his special tweak regarding the anti-skate defeat and alignment, which is supposed to help in this problem. A problem that has been addressed a few times here on AudioGon and AA. When I mentioned the simple fix discovered by Chris Brady of Teres Audio, he became irate and confided that he is not an engineer and no real ability to re-design the mechanism. Since, then I have spoken to several about this issue among them our very own Doug Deacon, who sympathized and was very interested in what Tri agreed to send me. Now, two months later I still have not heard a word from him, in fact, there seems to be no communications with him, at all. I mean he won't answer emails or even answer his phone in the past few weeks.

Now, here is a fine sounding tonearm that has an inherent problem that is not being addressed by the mfg., whose support and quality assurance seems to be less than stellar!! This is a concern to me as with the high prices of good vintage vinyl these days I shouldn't have to worry about ruining my investment in vinyl with an in-accurate cueing mechanism, not to mention the poor service I am experiencing from this mfg.

So, I ask again...What has happened to TriPlanar??
Will they going to take a responsible role in support, address the issues of quality control and offer an update to solve this cueing problem? I am now the second person I know of that received a new arm with missing parts. For me is the issue of the fine adjustments of my arm, I am still having issues with distortion, a symbalance in the right channel, which is maybe the result of the anti-skate adjustment or alignment?

Here I am still waiting after three months, what is going on here?