Room correction in high-end system???


OK,lots of praise has been heaped on the Tact and Sigtech RCS systems, including in this months TAS. However, I believe my system is pretty high-end (at least by the "How much does your system retail for?" thread) and do not want to harm the already fine sonic charactersitics. I am generally of the mind that "less is more".

Things that concern me are:
- Putting an A/D and then D/A into my vinyl playback chain.
- Putting a lower quality D/A in place or in addition to my SF Processor 3.
- Replacing my beloved BAT VK-50SE pre with a one box DAC/ADC/RCS/PRE.

If my system were in the sub $40k retail range, I would be running to a room correction system, but am a little sceptical given my current investment. It might even be a little snobbishness. However, if I do like it better with RCS, I'd end up saving a bucket of dough.

Has anyone with a well set-up room and system tried one of these? I'd be expecially curious if Mr. Porter or some of the other vinyl fans have had one of these in their system.

Thanks,
Meta
metaphysics

Showing 1 response by cornfedboy

drubin: if you use the accuphase dg-28, together with their 2-box sacd combo (dp-100/dc-101), you don't bypass the system bus in the dac and, thus, get "true" sacd playback. or so i'm told. this is a waay expensive trio of electronics, tho.

i've experience analogue playback for some time through a digital pre/dac (accuphase dc-330) that takes a signal from a>d, d>a. on the whole it sounds quite good, tho i still prefer a "straight" phono stage for the last extraction of ambiance and air.

i'm also dubious of digital correction devices. the only one of spent any time with is the accuphase. while it does, indeed, offer readily apparent corrections to the output curve in a less-than-perfect audio environment (and what space isn't thus?), it always has a sort of "too perfect" quality about it. kinda like surgically-enhanced female breasts; they may look enticing but virtually never appear "real."

-kelly