Role of sub woofers?


I had begun thinking about changing out the KEF Reference 1s for floor standers, something like Wilson Sophias, Revel Ultima Studios, or the expensive KEF Reference 207/2s. Then I reset the crossover for a pair of Velodyne HGS-15s from 40 Hz to 80 Hz, and the sound stage size, sound stage depth, and sound stage detail improved so strikingly thoughts of changing anything vanished. I did redo the speaker setup extensively, including redoing all the SMS-1 bass manager connections, so I suspect the vast improvement was due to more than just adding 40 Hz to the range covered by the the subs — I must have fixed some previously unknown problem. Anyway, a setup that I thought was best for jazz and baroque now does large orchestrations convincingly with a sense of spaciousness I had previously imagined only floor standers could deliver. One detail I’ve noticed is that the power-on LEDs of the subs that were previously rarely activated are now usually lighted, suggesting the subs are playing a much more active role.

Well about not changing anything: I have a third HGS-15 I might install on the wall opposite the setup for a three sub distribution.

db
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Showing 2 responses by m-db

db, do you have the Velodyne SMS-1 Manual, Sweep Tone CD, calibrated microphone, and the Windows Setup Program loaded?

This is the Outlaw SMS-1 Manual which offers an alternately worded explanation of the Velodyne Manual which you may find helpful in explaining how to use the SMS-1. http://pdf.outlawaudio.com/outlaw/docs/sms1guide.pdf
db, mijostyn's terrific description may be adjusted out after another Auto EQ. Then by manually adjusting the Low Pass Xover Slope and Contour Frequency.

Velodyne's later Plus Optimization has a simple visual and audible drag and drop Q adjustment for individual bandwidth parametric filter frequency and level.

When used in conjunction with its discrete multi-band gain settings allow for a much higher crossover beginning with tone that closely matches the mains presentation from the crossover region on.


This replaces the hard crossover point used by most other equalization programs or basic settings.


You might give a thought to setting some of your presets with differing crossover and slope settings to help narrow down an optimum while your at the listening position. 


Once I tailored my crossover region it's saved to all the presets while the equalization after the region varies. #6 is a polarity reversal.