RME ADI-2 DAC FS is it "All That", especially for under $2,000?


I am upgrading my main system with a Mark Levinson No 532H and pair of Tekton MOABs, arriving in the next few weeks. I decided my Music Hall 25.3 DAC should probably be upgraded as well, I have a PS Audio preamp I was planning on still using.

I am getting a lot of recommendations for the RME ADI-2 DAC FS, and some are saying replace my PS Audio preamp with it also. Pretty much every review or even mention of it I can find, comes with descriptions like "End Game product regardless of price" and "State of the art".

Thoughts?
Thanks.
128x128brad1138

Showing 2 responses by jeenam

Saying the ADI-2 FS has a narrow soundstage compared to DAC's with tube outputs is...obvious. That's the point of tubes - fatten up the imaging and expand the soundstage.

Compared to other solid state DAC's the ADI-2 FS soundstage width/height/depth is fine. Imaging is very solid, which can contribute to the perception of a narrow soundstage. But I've found that recordings with big images and big soundstages are presented as such, and recordings with smaller images and narrow soundstages are presented accordingly. In short, it's an honest DAC.
I actually found the ADI-2 FS to be too much on the high frequencies for my liking and ended up keeping the NAD M51. The ADI-2 is definitely more detailed than the M51, but who cares about detail if you can’t actually enjoy listening. Compared to the ADI-2 FS, the M51 is rolled off on the high end. And that’s even with the ADI-2 FS using the NOS filter. I realize the ADI-2 FS has a parametric EQ, but what’s the point in eq’ing the thing to sound rolled off on the high end? With EQ adjustments it lost the edge in detail that it had over the M51.

Just my $0.02. I had high hopes for the ADI-2 FS but it ended up being too ’studio’ sounding for my tastes. I find the M51 to be more musical whereas the RME was more analytical.