Every single loudspeaker you will ever own will do the same thing. Actually, it is not the loudspeaker. It is your ears. Better yet , it is everyone's ears. Google Fletchur-Munson curves.
What you need is loudness compensation. Older preamps usually offered a single level loudness filter but in the "No Tone Controls" era the filter was dropped. Consequently, if you want a recording to sound right you have to play it back at the volume it was mixed at which depends entirely on the mastering engineer. Loudness compensation will give you a lower volume that the recording will sound "right" at. In the digital era this is easy to do without adding distortion and ruining the image. Those with room control can program their own loudness curve into one of their presets for times when they do not feel like shaking the shingles.
What you need is loudness compensation. Older preamps usually offered a single level loudness filter but in the "No Tone Controls" era the filter was dropped. Consequently, if you want a recording to sound right you have to play it back at the volume it was mixed at which depends entirely on the mastering engineer. Loudness compensation will give you a lower volume that the recording will sound "right" at. In the digital era this is easy to do without adding distortion and ruining the image. Those with room control can program their own loudness curve into one of their presets for times when they do not feel like shaking the shingles.