"Trickle up" theory


I notice that while all my cheap 'tables time well, many expensive ones do not. I'm tired of this "trickle-down" crap the audio press feed us, thus implying that all the more expensive equipment is intrinsically superior to the budget equipment, and in the process training us to want all that expensive equipment which is so "superior." The fact of the matter is, that most budget equipment gets the music right, if with various distortions (for instance my sister's cheap Sony ghetto-blaster always makes me want to dance), and that what is actually needed is "trickle up", a preservation of the essential timing of music which budget components so often get right. I am not saying that all high-end equipment is crap - some, like Conrad-Johnson, excel at this musical magic - but the fact is a large number of high-end manufacturers need to examine what makes the budget equipment so musical (that magic which came from the first quality budget components which got us hooked on this hobby in the first place), and apply it to their cost-no-object creations! We need that musical magic to go along with all that tonal correctness and detail. Raise your hands all those who bought expensive equipment only to end up missing their cheaper components. My only purpose in writing these things is to advance the sate of the art, by encouraging a re-examination of the way we think about things. Looking at things from different angles is how to gain the fresh outlook needed for new ideas, and an improvement of the art. And also ensure that the next peice I buy will have the magic first, and all the audiophile goodies after.
johnnantais

Showing 3 responses by twl

Perhaps "simpler" really can be "better" and the overcomplication of some expensive items can introduce more problems than it solves.

Many older portables and car systems used single-driver speaker systems with no crossovers. Maybe that had something to do with it. We can see that multi-way speaker systems may extend the frequency range and some IM distortion profiles, but do they sound as coherent as single-driver systems? I think not, in many cases.

Many audiophiles have been touting "short signal path" for years, but many others ignore the idea. Maybe that has something to do with it. Hi-tech solid state amps with high power can certainly play loud and deliver deep bass slam. But do they sound like the simple tube SET designs, which are known for their "magic"? In many cases, they do not.

As far as idler-wheel technology is concerned, if you like it then use it. I feel that the vibration path from the motor to the platter is too direct, and rumble(and other vibration nasties) can become problematic. This is the main reason that it is no longer used on modern hi-end tables. Perhaps if you listened to some of the better belt-drive turntables, you'd find that belt drive can be just fine for timing(at least Linn thought so), while achieving a lower level of rumble and better detail retrieval.

I have always been a proponent of good value for dollar on this website, and laud any movement by members in that direction. However, it cannot be construed that there is no advantage in buying some expensive items. There are some very expensive audio items that will outperform any lower priced over-achiever. And if the buyer percieves that performance level to be what he wants, then he is quite right to purchase it for his system.

For my own system, I have found that "upper middle" level components will generally satisfy my needs, with a healthy dose of DIY sprinkled in to ease the budget.
Well, John, I have alot of similar feelings with respect to the audio environment, and the confusion that is rampant in the industry. I am hoping that this will settle out, and things will get back to solid thinking that used to be the norm in audio of the past.

Regarding the idler wheel issue again, it is entirely possible that a good implementation of idler wheel technology could yield an enjoyable turntable at a budget. Many times, it is the implementation that makes the difference between designs. Ultimately, the proof is in the listening, and I also prefer musicality(among other things) in my system over an analytical and dry presentation. As long as my listening needs are met, I am not picky about which technology is used to meet them. However, I am technically savvy, and I know which technologies are more likely to be able to meet my listening needs, so I have some certain prejudices, as most of us would. But, an open mind is always an asset, and we should be open to new ideas and concepts that may benefit us.

Keep up the good work.
Ozfly, no disrespect intended for equipment such as yours.

Quite often, it is important to satisfy many requirements such as the ones you mention, and the choices I made do not qualify in many other applications and environments. In fact, my choices would be very poor where maximum SPL and deep bass response were the most important factors.

So please accept my humble apologies if there was any offense taken. It was just my awkward way of trying to make a point about simple sometimes being better.