"Pace", it's importance for enjoyment?


The English press have used the term of "pace" to identify
what, I think, is a very important quality in the enjoyment
of an audio device. I have never had speakers, wires or
amplification have as much impact on this feeling of "pace"
(or I should say, lack of it)
as digital source components seem to have. Is this part
of where high-rez..SACD and DVD-A..provide an imporvement
over redbook? Too often I have had high-end cd players and
DACs provide detail..but lack the ability to let me enjoy
the listening. If there is any one thing I can point to
in vinyl vs. redbook, it is that quality of "pace". What
are your thoughts?
whatjd

Showing 1 response by gregm

David, I think unwanted vibration *drains* energy from the machine, energy lost to music reproduction. Aren't our efforts focused on extracting that last ounce of energy from our system as a whole (cords, ICs, isolation tweaks...)? Perhaps the Neuance does just that -- protect agaist energy loss?

Whatjd: IMO, pace is largely (not exclusively) a function of correct/constant speed and tracking/"clocking" ability. In a TT you can influence this ability; in a cdp you're limited to mechanical devices again, unless you happen to be qualified for electronic experiments. TTs are mechanical devices so, if the speed remains constant despite the groove-stylus friction fluctuations, you get the rythm/pace -- when it's there... BTW, Mr T, of Lynn fame, prides himself for having introduced the term "pace" -- hence the british mags -- to world vocabulary! (I'm not doubting it & I like Lynn gear.)

In my *limited* experience with SACD (only the Sony-1) the pace was no better than my redbook S-Line. But the resolution, space and 3dimensionality was! I attribute the differences to the software: cd was introduced ages ago! Can you remember the (abysmal) performance level of your '80s personal computer? Bet you don't even want to think about it!

Cheers!