Class A (in general) will produce less distortion than any other form of operation. The human ear uses odd-ordered harmonics as loudness cues; in particular the 5th, 7th and 9th. Although only found in trace amounts in most amplifiers, even very subtle increases in these harmonics are readily noticed due to the way our ears work.
We perceive the increase as brightness/hardness.
I would not surprise me in the least to find that some people hear that as 'speed' (to me the word speed refers to the risetime or slew rate of the amp) or bandwidth.
If those harmonics are not altered the amplifier will be more relaxed or 'laid back', which is **not** to say that there is a coloration- in fact. there is *less* coloration.
In transistor amplifiers some of the fastest risetimes are manifested in Class A amplifiers. This is true of tubes too, although to really get the same speed as transistors you have to get rid of the output transformer, but then they can be every bit as fast as the fastest transistors.
We perceive the increase as brightness/hardness.
I would not surprise me in the least to find that some people hear that as 'speed' (to me the word speed refers to the risetime or slew rate of the amp) or bandwidth.
If those harmonics are not altered the amplifier will be more relaxed or 'laid back', which is **not** to say that there is a coloration- in fact. there is *less* coloration.
In transistor amplifiers some of the fastest risetimes are manifested in Class A amplifiers. This is true of tubes too, although to really get the same speed as transistors you have to get rid of the output transformer, but then they can be every bit as fast as the fastest transistors.