Please recommend used tonearm under $1K


longer than 9" preferable, to be used with an SP-10MK2 and Virtuoso MM cartridge. The tonearm does not have to be modern. In fact, something vintage that can be easy to source through here or eBay is fine.

I favor rock, so dynamics and slam are crucial. Good imaging and soundstage DEPTH are also important.

The bonus is if the arm keeps solid value because I eventually want to move up to the Trans-Fi T3.
applebook

Showing 4 responses by nandric

Hi Applebook, I agree with Raul regarding the Lustre but
I want to add the EPA-100. Both are fantastic and can compete with any other regardless of price. I own both i.a.

Regards,
Dear all, an tonearm is an mechanical 'device' so one should think that the most issues are 'objective' in 'nature' or according to physical Laws . As Raul put it 'its all about the design'. He should elaborate on this 'argument' more but there are many contributions from him to found his opininon. But there is also the so called 'subjective part'. I really love my Triplanar VII and each time I hear some negative statement about 'my' Triplanar I get angry. Ie our hobby is full of emotions. I even think that this is the essence of our hobby.
Despite of this I am very interested in the 'objective' issues and curious to learn from Raul, Dertonarm and others
about the the essence of the tonearm design. I personaly am
very glad that we have such persons in our forum.

Regards,
Dear Raul, Your 'subjective factors' are of course involved
but I disagree regarding the 'subjective hearing'. As I put
it elswhere 'we hear' (normal hearing pressuposed) in the same way. But we do interpret what we hear with all our brain, experience,knowledge, sensitivitys, talents,etc. And there the 'equality' omong us ends. You can't compare
Mozart with 'any other' composer; an real genius is incomprehensible to us. I have some professional musicians
as friends (Concert Gebouw) and thought that they 'hear different' then I. But this is an wrong description. They
know much more about the music and are much better educated in this 'part' of human activity then I am. So there is not much sensible 'contribution' from my side when they visit me for some listening sessions. They are,so to speak, on an other level then I. I have,btw, no problem with this 'truht' because we have an tremendous
division of labour or activitys.
Regards,

Regards,
Hi T_bone, So far as I know you live in Japan and you made
me very curious about all of those tonearms that you avoid
to name. Alas I don't understand your reasons. On the contrary because you can provide as with many informations
that we are not familiar with. I can add the Micros to 'my'
names (dare not mention FR-64 'cause of Raul) but this is not in any way 'suprising'. I hope your reason is not 'hidden' in the same closet with all those gatherings?

Regards,