Phono stage w/automatic Load-Impedanance.


Yes, automatic load impedance! The WLM PHONATA offers very high dynamics as a result of its very special design (see below)

A few years ago i purchased a slightly used demo unit from Australia. It was reasonable priced (mint- condition) WLM PHONATA reference MM/MC phono stage from respected WLM Acoustic brand (made in Europe). I use it since that day in my system.

a picture of the wlm phonata linked below:
http://audioaddiction.net.au/wp-content/uploads/2012/05/Phonata_3XL.jpg
http://audioaddiction.net.au/wp-content/uploads/2012/05/Phonata_4XL.jpg

When i bought mine demo it was newly released and totally different for previous WLM model (which was a smaller tube stage). The reference WLM Photana is not a tube stage. I'm not sure what's happened after, but probably it was not widely distributed, maybe they made first run and stop the production of this nice unit. They never updates their own website with info about this new unit. It's impossibe to find any reviews online and i assumed there are not so many users.

I wonder if anyone on AudioGon aware of this ice nproduct. I'm sure most of you familiar with amazing range of WLM speakers and different Tube Amps.

But do you know anything about WLM Photana Referense Phono Stage MM/MC ? It has some interesting features such as AUTOMATIC LOAD IMPEDANCE and 2 RIAA CURVES. It comprises pinnacle circuitry and design features that have never been realized before.

The PHONATA works with two-stage amplification:

• An inductive voltage amplification stage (for MC cartridges) using high
performance professional audio step-up transformers.

• A solid state current amplification stage, using specific MOS-FET transistors with tube-typical harmonic distortion characteristics.

The PHONATA offers utterly precise RIAA equalization:

• RIAA equalization is implemented across two amplification stages (within current amplification), providing a frequency expansion from 10Hz to 50kHz (Subsonic cut below 10Hz). Selected components (1% tolerance) are used.

• RIAA equalization can be selected from two positions with a switch at the back of the unit:

- Position “high” for records produced before 1965 or to improve the performance of somewhat “darker” sounding cartridges at higher frequencies. This position provides +3dB equalization as from 5kHz and +6dB as from 10kHz.

- Position “low” for all other records The PHONATA offers automatic adjustment of Load-Impedance:

• You don’t have to adjust the load-Impedance of your cartridge (plus the interconnect-cable between cartridge and Phono-Preamplifier). It goes automatically thanks to one ingenious piece of circuitry.

• You don’t have to adjust the source voltage of your cartridge as well.

• There are no micro-switches or any other mechanical contacts in the signal-path.

Technical Data:

MC-Input Impedance Range: < 100 Ohm to 50kOhm
MM-Input Capacity: 100pF
THD (Total Harmonic Distortion) @ 1kHz: 0.01%
SNR (Signal to Noise Ratio) MC: >72dB
SNR (Signal to Noise Ratio) MM: >85dB
Max. Input Voltage for MC-cartridges (theoretical value): 1200mV @ <1% THD
High Performance, Professional Type Step-Up Transformers.
128x128chakster

Showing 2 responses by thekong

Can anyone tell me how this “automatic load impedance” works? Does the phono have a sensing circuit checking the internal impedance of the cartridge? Thanks!
My comments are based on an objective understanding (measurements, calculations, and simulations) of what a low-impedance cartridge generator is, what an interconnect is, what happens when the two are combined, what happens when resistors of various values are added to the mix, and what happens when extra capacitance is added. A low-impedance cartridge has an inductive generator, while a phono cable has significant capacitance. Put the two together and you get a huge spike at ultrasonic frequencies. These frequencies are much too high for any human to hear directly, but fall in a band that is likely to impair the linearity of the phono stage in much the same manner as excessive RF. When we "load down the cartridge", for the most part we don't affect what the cartridge does at all (unless the value of the load approaches or drops below the internal impedance of the cartridge). What adding resistive loading at the phono stage input accomplishes is to dampen the resonant energy of the ultrasonic spike, and give the phono stage an operating environment isn't so likely to trigger any latent non-linearity tendencies that the phono stage circuitry may have.

For the reasons given, the phrase "cartridge load" is misleading. "Phono stage input terminator" is a better description of what really happens.

The above comment was from jcarr, which seems to agree with what Atmasphere is talking about.

http://www.whatsbestforum.com/showthread.php?15077-Cartridge-