Philosophy: Bearing vs. Unipivot


I was looking at the VIV Rigid Float arm on AG today, and a couple of things struck me. Obviously, the primary one is that there is no arm offset on this arm, no overhang, no need for anti-skate. But, secondarily, I can really follow Ivor Tiefenbrun's thoughts on the Linn turntable: any relative motion between the stylus and the groove harms the sound. Stable bearings, whether gimballed or not, solve this situation. But there are so many unipivot arms out that are well-thought-out and well-regarded, including the aforementioned VIV.that there must be something more going on with them than there used to be, because there just HAS to be more relative movement with a unipivot arm than one with bearings. Someone please educate/enlighten me...
benjysch

Showing 1 response by pryso

Ralph, I respect your broad knowledge so could you explain "horizontal cutting speed"?

Obviously the rotational speed of the platter in cutting (and playback) should be constant. But groove spacing is not (a challenge for tangental arms). As I understand the process one task in mastering is to monitor loudness and frequency and adjust spacing since the groove dimension (width) is not constant. That would seem to complicate things.

If I have mis-information, kindly explain.