PADIS vs Furutech fuses


I now have about 260 hours on my PADIS fuse and ready to some listening. The PADIS fuse appears to look exactly like the Furutech fuse. It has the same blue casing with the PF logo on one side. Actually, the only visible difference between the PADIS and Furutech is that the Furutech has “FURUTECH” printed on the opposite side. However, there are actually differences:

My very initial thoughts on the PADIS fuse (in the first few hours) was that the PADIS seemed somewhat dryer sounding than the Furutech. The PADIS did not have the typical “cold / wet /chimey” tones that fresh rhodium plated Furutech components generally have (I’ve tested Furutech rhodium fuses, power cord connectors, interconnect – they all initially contribute this cold/chime character).

I have often stated that Furutech rhodium is painful to burn in. I have burned in many Furutech fuses and it goes through several painful areas. There are days in Furutech rhodium burn-in where I would sit down to listen and the sound would just be so bright / harsh / hard-edged that I said “I can’t listen to this”. At that point, I would just walk away and let it continue to burn in. With the PADIS fuses, it never got that painful. I could hear the burn-in process changes, but it was always listenable. At the 180-200 hour mark, the PADIS did get very bright/hard-edged, but it was still somewhat listenable (I did not have to walk away). At 220 hours it was fully resolved.

Now, for the comparison. I will say that the PADIS is an excellent fuse. For the money, you really cannot beat it, unless you need a warm signature (in which case you need an Isoclean fuse). Both the PADIS and Furutech share the same essential sonic signature. However, there is definitely a difference. The PADIS sounds very good – do not get me wrong, it is an excellent fuse. However, the Furutech really did have an improvement. The tones on the Furutech were just a bit more pure and true sounding. The Furutech had a more “solid” sound to the audio. The Furutech had a bit more punch and meatiness to the bass / midbass. The PADIS, on the other hand, was a bit more loose in the highs, causing the high frequencies to be a bit more messy and rattling. This does cause the PADIS to sound a bit more dry. The PADIS also did not have quite the depth of soundstage when compared to the Furutech.

Now some people might sit down with me and say “I can’t hear a difference” or “your just splitting hairs”. I might be. The difference in sound is VERY subtle, but to me it makes a significant improvement. The differences could also be revealed when listening over a longer period (like 20-30 minutes). The music with the Furutech is just more engaging.

If you have very low resolution or warm equipment, it is possible that you would not hear the difference at all. However, on high resolution stuff, the Furutech could make that equipment “shine” just a little bit better. The PADIS is an excellent buy. For half the cost, you get a whole heck of a lot of performance (almost a no-brainer if you’re still running a stock fuse!). For those who want to bleed out the most amount of performance and resolution – the Furutech is worth the cost.

There are a few possible reasons I can think of that would cause the PADIS/Furutech difference:

- Furutech fuse state a special damping filler inside to reduce electrical resonance. I cannot find an reference to a damping filler for the PADIS fuses.  This could be why the PADIS sounds a bit more loose/dry/harsh in the highs

- Furutech does a Cryogenic treatment process. I cannot find any reference that the PADIS fuses get the same treatement.

- Rhodium plating. It is possible that the Furutech fuses are manufactured with a much thicker rhodium plating. I know Furutech likes a thick rhodium plating on their A/C connectors. The PADIS could have put a thin plating on their generic “PADIS” fuses. This could help explain why my burn-in process was not as painful.

Anyways, those are my findings. Maybe next year I’ll do a BLUE vs. Furutech analysis.

auxinput

As the poster of the measurement (which has been posted many times before), I did say that the "measurements could explain why", but I also said that the measurements was not the entire story. 

Counter-argument.  So, the fuse non-believers, can you provide me measurements as proof as to why the Vishay Naked Foil resistors sound so good?  I mean, it's just a resistor that measures resistance, right?  We all know that it is well made, just like our upgraded fuses are well made.  But upgrading a tiny resistor doesn't make any difference to the sound quality.  Give me absolute measurable proof that it makes a difference.

Not sure why so many disbelievers are so hung up on fighting this fuse argument. :)

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With all due respect, I reread the article and could not find any reference to correlating listener preferences and fuse resistance or direction.  There are several mentions of "the sonic differences between fuses" but the paper doesn't discuss who is making the distinction, what these sonic differences are, and how "better sound" is judged.  There are correlations with the HFT fuses related to lower resistance and higher conductivity but not "better sounding."  In their concluding "Tips for optimizing High End Audio gear" there is no discussion of orienting the fuse direction for either optimal sound or lower resistance.  Please let me know if I am missing part of the article or study.

I simply do not believe that the minute differences in resistance between one-inch pieces of wire (i.e., different fuses), much less the differences in resistance between the orientation directions of the same one-inch piece of wire (i.e., the same fuse turned-around), could be audible in even upper-end home stereo systems, given all the many other factors that influence how the system will sound.  My skepticism is further fueled when I read about how the SR20 fuse "totally changed" somebody's system but then how the SR Red further improved it with results that "are not subtle" but later that the SR Black "blows the doors off" anything that has come before...then along comes the SR Blue, etc., etc., etc.  An amplifier designer once told me, "if I was starting over I would go into cables."  Lots of money has been made on what amounts to wire, geometry, and connectors.
I never said that the differences in resistance account for the differences in sound. What we have here, folks, is an excellent example of a Strawman argument. Even HiFI Tuning states that the small differences in resistance don’t account for the sonic differences, as I just quoted from their data sheets. The measured differences are, however, indicative of the directionality of fuses. All fuses. You know, because of the correlation of the differences to direction. Hel-loo!


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