Orosonic/Monster Cable Reflex Record Clamp


So when I bought my Brinkmann Bardo it came with an HRS record weight. I used it, seemed to be decent enough. Now I have never been a fan of record weights, I don't see the process they work through as being very efficient. 

On my other tables I use a Sota Reflex clamp, and the other one the Sota 1-Clamp. I like both well enough, and the reflex clamp to me is an excellent product. 

Now in my box of stuff, I did get a Monster Cable Reflex style clamp, branded as a Monster Cable one, which is the same as the Orosonic. It does a nice job pulling down onto the spindle when the center cylinder is released. 

Anyone ever heard much about these clamps and have an opinion? From what I hear there are not significant differences. To be honest, I am not even sure if they are necessary, but I feel better with on there as the Reflex clamp does a good job coupling the record and platter. Not as good as the Reflex clamp and vacuum platter of my Cosmos, but pretty good for a single device. 

Anyone use any of these series Orosonic or rebranded Monster Cable clamps? I think they may have been sold under other brand names also. 
neonknight

Showing 2 responses by rauliruegas

Dear @slaw : The overall function of TT mats and clamps are to damp resonances that at the end is a kind of distortions.

Exist a lot of " nice distortions " that are generated by the room/system and for analog mainly inside the analog rig and there with what happens at the ridding of the stylus tip where is here what every thing starts about, through the " noises/distortions " generated for the cartridge that is trying to follow the grooves modulations and in that movements adds a lot of non-existen information in those recorded grooves but additional to that exist a feedback coming from the LP surface that adds more " trash "and then the degradation proccess continue trhtough the headshell and tonearm own resonances and feedback goes on and on.

Unfortunatelly does not exist perfect mats or perfect clamps that can make that damp in perfect way so through the time we are accustomed to listen our systems with several " nice distortions " that puts some kind of " life " additional " life " to the recorded signal and when we change the mat for a better damping one or a better damping clamp some of those " nice distortions " disappears and gone with some of that " life " but in reality what we have after the changes is not more recorded information but a cleaned-up information that through some time we take in count that what we listen is clearer music information ( notes/harmonics ) .

For years I used the AT666 disc stabilizer ( after market vacuum hold down mechanism. ) and I remember in a thread that a gentleman posted that he does not like it that device because the music " life " just disappears when in reality is not in that way.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.


Dear @slaw : "  they seem to take some life out of the music.."

I read before that kind of statement but I learned with first hand experiences that's not really in that way but the other way around if you take in count that that " life " you are talking about it's higher in distoprtion levels that when you listen it using a good reflex clamp.

Neonknigth stay with reflex clamps and stay away from any non-reflex clamp ( clamps with only dead weigth that are the worst ones. ) but a one made it in wood that's out of production and that I can't remember its builder but was and is very well regarded and expensive too.

Try to find out the Basis one that @cardani posted, I own it and it's just great. I own too your Sota reflex too but my vote goes to Basis.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.